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Is this sophomoric? Maybe. But it's also often fresh and inventive. Why shouldn't a filmmaker be allowed to speak directly to a contemporary consciousness, even flaunt it, as long as he also delivers startling imagery and convincing period detail? The solid cast includes Michael Gambon as a corrupt magistrate, Ken Stott as a very nasty enforcer named Mr Chance (who favours a thumb through the eye socket and into the brain as a mode of execution) and Terence Rigby as a philosophical jailer. Even Liv Tyler looks more interesting than usual. In the end pretty frivolous, Plunkett and Macleane is nonetheless a lively debut. --Richard T Jameson, Amazon.com
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Stylised it might be, but the film evokes its 18th century period so well – this was a time when a member of the royal family was mugged in his sedan chair in Covent Garden, children were hanged for pinching a loaf of bread, and when the real highwayman Dick Turpin rode Black Bess into legend. That said, the story unfolds with a very ‘olde Englishe’ spin on all the elements and themes you’d expect to find in a classic Sergio Leone spaghetti western: two ‘heroes’ thrown into an unlikely and uneasy partnership, bound by thieves’ honour and greed; a beautiful girl; corrupt and avaricious officials; a psychopathic villain, suitably dressed in black; and the prospect of the last man standing getting the gold and the girl. The whole set-up and especially the finale at Tyburn gibbet is certainly a nod (whether conscious or not) to Leone’s ‘Good, the Bad & the Ugly’ – and I say this as a compliment, not a criticism.
All in all, a great romp, great entertainment and great fun. Pay your money and take the ride, enjoy this ripping yarn for what it is, and don’t take it too seriously!!! I would almost have given it full marks, but some roguish felon in the ‘Plunkett & Macleane’ film tie-in & merchandising department decided to omit the Tiger Lillies brilliant songs from the soundtrack CD – and that, my good man, is a hangin’ offence, to be sure!
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