As the economy worsens in Michigan, sixteen year-old Michael Smolij watches as father after father leaves town, the men unable to face their families with no jobs, dignity evaporating with every passing day. One by one, fathers spend directionless days in the local tavern before quietly disappearing forever. So many men leave the blue-collar neighborhood outside Detroit that everyone points to the disappeared as having "gone to the moon", wives left to carry the burdens of children and part time jobs, exhausted physically and emotionally by the dual role of mother and father.
Ultimately the loss of their fathers breeds a twisted violence in the hearts of the sons left behind. With the abdication of the men, the boys are forced to become men prematurely and put away their childhoods; thus is born a smothering anger and an incalculable sadness that resides deep in their hearts.
As Michael gets older, he tries to look out for his younger brother, Kolya, but acting tough has set Michael and his cousin Nick apart from kids with fathers, incipient "bad boys", distorting both Michael and Nick's views of the world and what it has to offer to fatherless sons. Drifting into a cursory education, Michael's curiosity is partially fueled by the young women in his life, who are attracted to the brooding sensitivity of the unhappy young man.
This novel lays bare the broken hearts of desolate young men. Bakopoulos is unstintingly honest, unabashedly free with the emotional territory of abandonment, allowing a poignant view of a loss that is permanent, a tattoo on the psyche. Always they think of their fathers, remembering, wondering how they might have changed, if they are happy on the moon, if they have forgotten their sons.
The prose is beautifully rendered, tender, innocent, bruised by reality, tinged occasionally with the angry bravado of something-to-prove. In the very city where their fathers worked on assembly lines for Ford and General Motors, the only employment for Michael, Nick and their contemporaries is found at the local shopping mall, as a failing economy grinds up any opportunity for a decent life of hard work like past generations.
Please Don't Come Back from the Moon portrays the gradual unfurling of hidden promise in a life once destined for failure, haunted by the losses of the past. Yet fate intervenes for Michael Smolij. In a world where fathers, in their own distress, leave and take up residence on the moon, the sons fend for themselves, many lost along the way, casualties of society's neglect and disinterest. But Michael finds his voice, buried beneath the rage that has simmered since childhood. In sensitive and lyrical prose, with a surfeit of desolate images of towns and people forgotten, Bakoploulos delivers a thought-provoking and soulful novel on the pains of growing up fatherless, where dreams may still surface.
Along with helpless anger lodges a seed of doubt, the potential of being like their fathers. And as adolescent boys become young men, marry and start families, they cannot bear to acknowledge their unspoken fears, the legacy of their fathers...a silent call to the moon: "Like an eye, the moon follows us wherever we go." Luan Gaines/2005.