Please Don't Call Me Human: 18 (No Exit Press 18 Years Classic) [Paperback]

This book was written ca. 2000 by Wang Shuo and translated into English the same year. Wang has been writing since at least the 1980s and gained prominence after one of his novels was filmed in 1993. A number of his works have followed the lives of disaffected youths during his nation's shift from socialism to a market economy, demonstrating an ear for language. He's been called a "spiritual pollutant" by his government.

This novel followed the adventures of a martial arts boxer who was chosen by a private-sector committee to represent China and revenge defeat by a foreign wrestler. The committee gave lip service to preserving the nation's honor, but was no less concerned with the profits they expected to make on him. They required full mobilization at all times, political correctness -- or at least the appearance of it -- and training in every possible method -- qigong, ballet and so on. Each member's self-interest was masked by appeals to the greater good.

The individual at the center -- the boxer -- was required to make ever-greater sacrifices in accordance with the committee's whimsical decisions. He did this without complaint, because unlike most other characters he lacked an agenda and was sincere. Other plots followed the boxer's aged father, a participant in the 1900 Boxer Rebellion, who the authorities wished characteristically to condemn for historical mistakes, and the fate of the boxer's neighborhood, which was fenced off and destroyed by the authorities, who auctioned off the contents to the highest bidder.

The main things I could get from this book were the author's condemnation of his society's utter lack of concern for the individual, who was at the mercy of any social entity that claimed it was acting for the greater good. And the author's contempt for the hypocrisy of those who cloaked greed in appeals to the national interest. Near the book's end, authorities were asked, "What will you do if the Communist Party ever returns to power?"

In its irony, ear for language, dark view of people and groups, and political manipulation of a naive hero, the book often seemed like the Chinese counterpart of A Cool Million, a 1934 novel by Nathanael West. The author's conception and sarcasm were brilliant: the story's development allowed him to comment on everything from committee operations to media advertising to the position of women in society. Many of the committee's campaigns seemed to end in scenes reminiscent of the Cultural Revolution, in mass demonstrations or mass denunciations.

Especially interesting was the author's use of various types of language -- the proverbs quoted by most participants at the drop of a hat, the speech of committees, the pungent words of the members behind the scenes, the language common people used with officials. But the novel's execution often seemed cartoonish and slapdash, and some scenes and details remained obscure.

Excerpts:

"Comrades, we must act prudently, just beating up some foreigner won't do it. Our ultimate purpose is to establish a national model."

"We're lucky to be given the chance to get swept up in the mighty torrent of another human being's transformation."

"The publicity should focus on how we took a pile of s--t and a puddle of p--s and turned it into somebody. We must make this clear to the masses."

"I have strict orders from old Zhao to reach his profit quota."

"Is there anyone here who actually treats you as a human? They're all using you for their own purposes, and they'll destroy you in the process. They'll turn you into whatever their hearts desire."

"If you close your eyes, I no longer exist, I only sense my existence from your reactions. If you're happy, I feel that my life is of value."

"You have retrieved the golden goblet of national integrity . . . you have lived gloriously and will die with honor . . . Flying across the mountain pass, you raise your glass to toast the bright moon; in dreams the universe is vast, awake one's life is long . . . The little boat leaves from here, the rest of one's life is claimed by rivers and oceans. When bright mountain flowers are in full bloom, your laughter will emerge from the thicket . . ."

"Revered and wise and beloved pioneer vanguard architect beacon torch demon-revealing mirror dog-beating club father mother grandfather grandmother ancestor primal ape imperial father ancient sage Jade Emperor Guanyin Boddhisatva commander-in-chief, you have been busy with a myriad of daily matters suffering untold hardships old habits die hard overworked to the point of illness addicted to labor shouldering crushing burdens mounting the clouds and riding the mist soaring across the sky helping those in danger and relieving those in distress restoring justice banishing evil and expelling heresies curing rheumatism and cold sweats invigorating the yang nourishing the kidneys and the brain building up the liver harmonizing the stomach easing pain suppressing coughs and relieving constipation . . ."

[In a TV commercial, the newly minted hero] buries his face in a book and says with profound emotion: "Whenever I get tired of reading, my thoughts turn to the East and to Chill-Way refrigerators."

"We, all of us, have razor-sharp tongues but hearts made of tofu. If we . . . weren't forced to serve the greater good, do you really think we could turn into what we've become -- beasts in human form?"

One of the most remarkable books I have ever read. The action moves from one chapter to the next, taking in slapstick comedy (highly evocative of Jackie Chan films), romance, drama and some of the most surrealist setups ever given to print.My favourite scene must be in the modern museum, as the ballet class practice and train one afternoon. The curator has a fit when they start dismantling one of the exhibits - their clothes hung here and there on the walls, was it an exhibition? or was it a joke? either way they leave wearing nothing but their gym costumes.Frank writing and an open and honest look at authority and government are rich veins throughout, probably why then that Wang Shuo is so despised by the Chinese government.That's not to say this book is overtly political, you are never bombarded with the propoganda and rantings found in lesser stories.No, Shuo has taken a snapshot of life as it really must be. The antagonisers, the oppresed and the disenchanted are all playing musical chairs.Possibly only let down by the crazy and "where did that come from?" ending (if you've seen Akira, you'll recognise it), but then, from one of the most insane authors comes one of the most insane books - how else could it end?

Truly the worst book i have ever read, hopefully this book was lost in translation as it wouldn't have been published otherwise.

Really was that bad, mad me angry having to finnish it and only did as i was on a long train journey!

Maybe i just didn't get it...