Told from the viewpoint of Clap, drummer in okay a Canadian indie band (other members Syph, Mono, and Crab) who are approaching middle age and the ill-advised albums and money making tours that come along with it.
The tales of excess and amplified ideas of importance are reminiscent of what you hear wheeled out in Nickelbacks's (shudders) mega hit `Rock Star' - cringeworthy, realistic and what you'd expect from a world famous (albeit fictional) band.
Rather than being like 'The Dirt' this has another level, which foloows Clap's journey from excess to Buddhism via infidelity fatherhood and realisation of his own mortality. It could have been approached with sarcasm and too much knowing, but Litt's depiction of the flawed yet nicest member of okay is self deprecating, and amusing without being clichéd.
Although at points the narrative seems to lose it's way, the anecdotes and the lessons learnt are worth sticking with it for when it gets back on track.