In the Place of Fallen Leaves [Paperback]

 

 

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This book deals with the familair theme of childhood, but in such an original way that it really makes one even look at their own childhood years in a new light. The characters are brilliantly deep and gentle, and the reader cannot help but marvel at them. The strange thing is that everything in the book seems so rare, yet the author is writing about relatively ordinary matters; nothing new, but in such a different and enchanting way you can't help reading on and on, until the end. This is the first book in such a long time that I have taken great care to read word by word, virtually worried of missing even one adjective. Every single word has such an important function for the plot and general feel. There are no uneccesary sentences, everywhere there are traces of a great talent. Nothing is exaggerated or understated; there are no cliche paragraphs that one finds even in the best of childhood memories. I haven't read a book like this in ages.

Please read this book. Because of it's lyrical language you'll think you're reading something gentle and subtle, until it makes you weep uncontrollably or guffaw at the antics of these unique, breathing characters. Then you find you are actually reading something extremely potent.The best books, I believe, are the ones that make the ordinary extraordinary. Tim Pears does this better than too many of the authors I've read in recent years.I loved this book.

"In the Place of Fallen Leaves" is set in a small Devon village during the summer and autumn of 1984. Although it is a work of fiction, it bears little resemblance to the traditional novel, lacking any strongly defined plotline. It is told in the first person and bears a greater resemblance to an autobiographical memoir of childhood, although the events described in it are narrated not by the author himself but by an invented character, thirteen-year-old Alison Freemantle.

Tim Pears takes some liberties with the background to his story, describing 1984 as the hottest and driest in year in living memory. In fact, although the spring and summer of that year were indeed unusually warm and dry, if not quite as hot as the summer of 1976, the autumn, especially September and October when most of the book takes place, was unusually wet. Nevertheless, the countryside described here is a place of fierce heat, baked and parched dry by the sun, a place of lassitude, lethargy and idleness. That idleness is sometimes enforced- when the normal time comes for Alison and the other children to return to school they are unable to do so because of a teachers' strike.

Unlike some writers about English rural life, Pears does not concentrate on descriptions of nature and the beauties of the countryside. He is more interested in human life and concentrates more on descriptions of people and how they act, as seen through Alison's eyes. Like most of the villagers, Alison's family are farmers, and many of her reminiscences are of them. The most tragic member of the family is her father, who has sunk into a state of near imbecility, his mind and memory rotted by alcoholism. As a result responsibility for running the farm has devolved upon Alison's stoical if harassed mother and her two older brothers, Ian and Tom. Alison also has an older sister, Pamela, but she is a semi-detached member of the family, spending all day working in Exeter and interested in little except her boyfriends.

Ian and Tom are very different from one another. Ian is something of an intellectual who would doubtless be happier doing something other than farming, an occupation into which he has been forced by family tradition. He is also an insomniac who sits up all night working on chess problems. (It is only rarely that he actually plays a game of chess, due to a lack of opponents of sufficient calibre in the area). Tom is quiet and reserved, more at home with animals than with people. The story of his love-affair with Susanna, the daughter of wealthy incomers to the village, is one of the funniest (and, at times, one of the saddest) episodes in the book. The two remaining members of the family are Alison's elderly paternal grandparents who entertain her with memories of the valley in earlier days.

A number of other characters play important roles in the book. Johnathan, the son of a local aristocratic landowner, is a strange, bookish boy and the nearest thing Alison has to a boyfriend. Douglas Westcott, an eccentric farmer and slaughterer, is obsessed by maps. And then there is the village Rector, a divorcee living alone in a huge, rambling house, desperately trying to bring Christianity to his sceptical, semi-pagan flock.

In many ways the book reminds me of Laurie Lee's "Cider with Rosie", another memoir of life in a West Country valley. Lee's book was of course, at least ostensibly, a work of autobiography rather than fiction, and was set in the 1920s rather than the 1980s, but Pears's book would suggest that despite the coming of modern inventions such as cars and televisions, rural England had not changed all that much in the intervening six decades. Certainly, Pears's Devon valley seems just as remote and cut off from the outside world as Lee's Gloucestershire one, and its inhabitants just as independent and suspicious of outsiders.

I would not rank this book quite as highly as Lee's, which possesses a greater variety of incident and moves along more fluently; "In the Place of Fallen Leaves" can occasionally seem static and repetitive. It is, nevertheless, an impressive first novel, particularly in the author's power to create well-defined characters and in describing the incidents which befall them, frequently amusing, and yet also sometimes tragic.

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3.0 out of 5 stars Not a rural idyll
This is a lyrically written account of a blistering hot summer in Devon during the nineteen eighties. Read more

Published 1 month ago by Clive A. H. Still

5.0 out of 5 stars Living to the rhythms of the land and family
"The afternoon was at its height: the sun had just begun its slow descending curve towards Cornwall and was slumbering on the wing. A drowsy hornet drifted by. Read more

Published 13 months ago by Joseph Haschka

5.0 out of 5 stars Completely timeless
The long, hot days of summer in the countryside-childhood revisited. Didn't want this book to end as so evocative of my own summers but in different years and a different county... Read more

Published 21 months ago by Mrs. Audrey Williams

4.0 out of 5 stars Fine prose but flawed structure
Enough has been said, and justly, of this author's ability in lyrical depiction of character and place though, as more than one have noted, the exact situation in time suggests... Read more

Published on 21 Jan 2010 by momerathophilus

3.0 out of 5 stars slow to start
I very much agree with another review of this novel, in that it is hard to believe that it is the 1980s and not the 1940s. Read more

Published on 1 Aug 2009 by C. flynn

2.0 out of 5 stars I wish I could get more excited about this book
I have loved books by this author before, but this title has turned out to be one of those books I keep putting down and not picking up again. Read more

Published on 10 April 2009 by comp lit

3.0 out of 5 stars Nostalgic romance of country life and growing up
This book is set in Devon in the 70's - a young girl reaching maturity. Because it was set very close to where I live, the setting was recognisable and the social life... Read more

Published on 8 Feb 2009 by B. Barford

5.0 out of 5 stars Superb
A near-perfect book. Excellent, not just for a debut novel, but for any novel. Some of the descriptive passages, particularly of the various characters, are incredibly beautiful... Read more

Published on 9 Nov 2007 by Conor Kane

5.0 out of 5 stars Beautiful stuff
Nothing happens in this novel; but it happens beautifully. Populated with eccentrics, and sweltering in the hot summer of 1984 - when the teachers in Alison's school go on strike... Read more

Published on 11 Jun 2007 by Quark

3.0 out of 5 stars V good - but anachronistic!
I bought this book on the strength of the reviews.
I thought it was wonderfully written - very lyrical, wonderful descriptions. Read more

Published on 1 May 2002

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