After Pirates of the Caribbean: Dead Man's Chest, Hans Zimmer had to come up with something pretty special to win me over. With Dead Man's Chest Zimmer took some of the best themes from the first film, a collaboration between 15 or so Media Ventures composers such as Harry Gregson Williams and Steve Jablonski, but predominately Klaus Badelt, and did strange things with them. While expanding the jaunty Jack theme and beefing it up was a good idea, as well as bringing in some murky and powerful stuff for both the Kraken and Davy Jones, the score overall was an overloud, bludgeoning experience without much tenderness or subtlety. Too much synthesizer and reverting to his favourite tricks I think may have been the problem. Dead Man's Chest was fun, but lacked colour and seemed to be constantly rushing onwards. After Hans Zimmer's wonderful, delicate and atmospheric music for films such as Da Vinci Code and The Last Samurai I was hoping that with the third Pirates film we would hear a more complex score.
Thankfully, that's just what we get. Once again Zimmer brings in the themes running through Curse of the Black Pearl and Dead Man's Chest which gives a lovely sense of continuity, but these themes are developed even more, becoming action cues that effectively trigger all the right emotions, or background colouring that really add to the depth of the onscreen events. The track 'I Don't Think Now Is The Right Time' so effectively conjured a storyboard in my head, I was able to predict the onscreen action almost perfectly!
At World's End is a much more emotionally charged score, with some lovely soaring moments where the love themes break out from the darker action cues in really uplifting ways. Which is just what you want from a score, something that rewards listening years after the film it accompanies has left cinema screens. Zimmer's music is suitably epic, but also manages to work in a more intimate and delicate way. Some of his favourite motifs are thrown in, which works perfectly, bringing to mind especially The Da Vinci Code, Last Samurai and Gladiator, none of this feels lazy like Dead Man's Chest did in parts, there is also a slightly oriental element especially near the start of the album as our heroes visit Singapore. Zimmer also doesn't forget this is a film about pirates and includes a nice touch of the sea shanty/jig here and there, specifically with track 5. 'Up Is Down'.
Overall Hans Zimmer's score for At World's End is a thoroughly rewarding listening experience. It works by reiterating established themes, but also takes a slightly more offbeat approach with several tracks. Unlike Dead Man's Chest it makes room for a much more romantic and often melancholy sound. I only give it four stars because although I am glad this time we don't have an awful techno remix tacked onto the end, I do feel we could have been given extra DVD content or perhaps simply more score.
Heres hoping that a three-score special edition is released sometime soon.
PJ