12 of 12 people found the following review helpful:
5.0 out of 5 stars
Syd Barrett Eternises Childhood!, 27 May 2007
This review is from: The Piper at the Gates of Dawn (Audio CD)
Yes, 'The Piper at the Gates of Dawn' is undoubtedly imbued with the effects of LSD, and is one of the first true paradigms of psychedelic rock, however, for me, this album will always be Syd Barrett's immortalisation of childhood. The 'eccentric' Floyd frontman presents a wonderful array of withdrawn, introspective and seemingly naïve imagery, with lyrics that are dreamlike, unearthly and peculiarly ominous: appositely reflecting the process of childhood and growing up, in my opinion.
Due to this masterpiece, Barrett's first and last Floyd album, he will always remain a childlike genius in my eyes, not the drug-ravaged recluse the media gleefully portrayed him as. This album has made Syd eternal, and has simultaneously encapsulated memories of my own childhood. Songs such as: 'Bike', 'Scarecrow' and 'Lucifer Sam', illustrate the boundlessness of existence when young, yet also creepily depict the portentous nature of one's youth, and this is cleverly echoed in the cacophonous nature of tracks such as 'Astronomy Domine' and 'Interstellar Overdrive'.
Furthermore, this album also showcases Pink Floyd as brilliant musical innovators, in particular, Barrett's creative, dissonant guitar passages, such as those found on the expansive epic, 'Interstellar Overdrive'. Keyboardist, Rick Wright, also contributes significantly, most notably with eerie organ interludes, such as those which punctuate 'Matilda Mother' and 'Scarecrow', accentuating the psychedelic element of the music.
As long as people keep appreciating this album, Syd Barrett will live on forever. The music industry owes him a massive debt for his enterprising, beautifully ethereal work, and he must never be forgotten.
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39 of 42 people found the following review helpful:
5.0 out of 5 stars
UNDOUBTEDLY THE BEST PSYCHEDELIC ALBUM EVER MADE, 9 Nov 2001
This review is from: The Piper at the Gates of Dawn (Audio CD)
Space pixie Syd Barrett's crowning achievement was ultimately his first and last album recorded under the banner of Pink Floyd, when he was the driving force. Inspired by the harmonies and guitars of the Byrds' "Fifth Dimension" album of 1966, Syd penned the classic space rock opus Interstellar Overdrive and the album's opener Astronomy Domine. Building on the success of the early singles Arnold Layne and See Emily Play, Syd's songwriting talent came to the fore, and although typifying the whimsical edge of British psychedelia of the mid 1960's, his songs always had something extra that prevented them from degenerating into cheesy pop like many others did. Quite simply Piper was the best album of the era, with the driving, sinister Lucifer Sam and simply transcendant Mathilda Mother among the album's strongest cuts, also featuring the complete nonesense Bike song and the I-Ching inspired Chapter 24 among others. All areas of psychedelia were explored and to my mind never bettered by anyone. I used to love Sgt Pepper, but Piper blows it away making it sound overdone and pompous as if the Beatles were cashing in rather than innovating. Many people at the time of the album's release complained that Piper did not actively reflect the band's live music shows, which were apparently even more deranged. Little matter now. Over 30 years later Piper still sends shivers up my spine and makes me grin deliriously. Nothing will ever come close to this record, and I mean nothing. I've been an ardent fan of psychedelia in all it's forms for the past twenty years so I feel reasonably qualified to say this. As an afterthought, I would recommend this album to anyone, even if they are not fans of the era or style of music; this cd just might change your mind.
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24 of 26 people found the following review helpful:
5.0 out of 5 stars
What are you all talking about?, 16 July 2006
This review is from: The Piper at the Gates of Dawn (Audio CD)
If you like British psychedelia, and you like the 60's, you'll love this.
If you don't it won't sway you, that simple.
This is an awesome album, and the beginning of a career for one hell of a band. This is the album they built on.
Some of the stuff is more poppy, some is slightly mad (see 'Bike'), some is more experimental.
Just ignore the bad reviews, they were probably written by Phil Collins fans.
This is the beginning of something big, and a pioneering album for its time.
Far better than Pink Floyd now anyway.
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