These two small texts, an essay about the (technique of the) novel and the story "Pierre and Jean', are the works of a genius.
The novel has to be artless
The object of the novel is life which is `made of the most differing, unforeseen, contradictory, ill-assorted things; it is brutal, arbitrary, disconnected, full of inexplicable, illogical and contradictory disasters.'
The aim of the novel is not to tell a story, to amuse or touch our hearts, but to force us to think and understand the profound, hidden meaning of events. The author must put his work together in such a skillful, hidden and apparently artless way that it should be impossible to perceive his plan and intentions. He must demonstrate how people are modified through the influence of circumstances, how feelings and passions develop, how people struggle in all sorts of social environments, how interests clash. The psychology of the characters should be concealed behind the events of life.
Pierre and Jean
This formidable short story is a perfect example of de Maupassant's theory of the novel.
Its central subject is parental doubt, provoked by an unexpected event: an old friend leaves his entire fortune to a member of a family.
The writing is ingeniously elliptic: the boat which enters the port at the beginning of the story leaves it at the end under totally different circumstances.
The images are brilliant: `a short, round man, round through having rolled over the seven seas, whose ideas seemed round like pebbles on the shore.' `All those multicolored dresses, covering the sand like beds of flowers, these gaudy sunshades, the seductive art of gesture, voice and smile, the coquetry displayed on this beach, suddenly were revealed to him as an immense flowering of female perversity.'
The endless stream of revelations, of emotionally charged personal confrontations and of the dramatic psychological shocks, ultimately uncovers the es(sense) of life, the passion of love, for an individual human being.
This sublime text is a must read for all lovers of world literature.