This book is an essential addition to any library of Renaissance art. The author takes on one of the most problematic artists in the entire canon, sets him within the context of his time, and quietly distills the complex and intricate images that have made Piero's paintings so fascinating to us today. Recognizing that Piero's works are chronologically problematic, the book takes the innovative approach of discussing all the known works--some previously unpublished--by genre. Particularly fascinating is the discussion of mythologoical works which are the most elusive of Piero's oeuvre. In order to capture the full range of Piero's intention, the author delves into historical and literary sources, and renders a stimulating analysis of the relationship of text to image. Also key is the author's understanding of Piero's uncanny inventiveness and his ability to reach beyond the framework of a story to render an artistic vision that is not derivative but truly inspiring. This is the premier book on Piero di Cosimo's work--one that will be a touchstone for all subsequent research.