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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
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Analytic attempts to distinguish "art" and "science" often founder at the boundaries drawn between them. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Analytic attempts to distinguish "art" and "science" often founder at the boundaries drawn between them. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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