Reginald Hill has a thing for literary allusion. PICTURES OF PERFECTION not only owes its title and its epigraphs to Jane Austen, but also its very setting, the village of Enscombe (from Austen's EMMA). As Hill thus alerts us, we are being transported from the usual Dalziel and Pascoe round into social comedy--albeit comedy leavened with a sharp dash of satire, mostly directed against Thatcherism. The result is an affectionate parody of both the English village mystery--those villages have such remarkable mortality rates, do they not?--and Austen herself. Is it reading too much into the book to see the Scudamore sisters re-enacting SENSE AND SENSIBILITY? We certainly aren't overrreading when, like several other Hill fans on the 'net, we notice that the novel retells PRIDE AND PREJUDICE, in the shape of Sergeant Wield--did someone suggest to Hill that the "lonely gay man thing" was getting a bit old?--and...well, you'll see. And the red herring narrative, which some have found perhaps understandably exasperating, also hearkens back to Austen: NORTHANGER ABBEY, featuring a reader who looks for the Gothic where it isn't to be found. Appropriately, everything ends in marriage (or its equivalent). The downside of all this, of course, is that the novel does pall a bit if you haven't read a lot of Austen, and even if you have, the allusiveness can seem cloying at times. Overall, however, this is an often hilarious, and on occasion touching, read.