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The Picture of Dorian Gray (Creation Classics) [Paperback]

Oscar Wilde
4.2 out of 5 stars  See all reviews (301 customer reviews)

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Book Description

3 Jan 2000 1840680172 978-1840680171 First Thus

From Longman's new Cultural Editions Series, Oscar Wilde's The Picture of Dorian Gray, edited by Andrew Elfenbein, includes the novel and contextual materials from the era of Oscar Wilde.

This edition of Oscar Wilde's classic work, The Picture of Dorian Gray, highlights the novel's modernity in both its form and its revolutionary content, and traces its links to modernist literature and the culture of modernity alike.

Previous editions of the novel have only seen it in a late Victorian context, or as an extension of the aesthetic theories of Walter Pater and the “art for art's sake” movement. As presented in this new edition, however, the freshness and originality of the book emerges, along with its strong social messages. The book is a pastiche of genres that propels nineteenth-century realism into twentieth-century modernism ahead of its own time. Wilde's novel offers a myth for modernity whose hold on the cultural imagination has only strengthened over time-Dorian Gray's uncanny bond with his own portrait underscores the loss of selfhood everyone experiences in a world of images and copies, paves the way for the discourses of homosexuality and the understanding of lifestyle as identity so current today, and provides clues to the mysteries of modern ethics and politics. The edition also emphasizes the role of gender and the rise of female emancipation underlying the Sybil Vane subplot, a focus on women that intensifies the book's relevance to modern transformations of men and women alike.

--This text refers to an out of print or unavailable edition of this title.


Product details

  • Paperback: 194 pages
  • Publisher: Creation Books; First Thus edition (3 Jan 2000)
  • Language: English
  • ISBN-10: 1840680172
  • ISBN-13: 978-1840680171
  • Product Dimensions: 21.7 x 13.6 x 1.2 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (301 customer reviews)
  • Amazon Bestsellers Rank: 3,321,098 in Books (See Top 100 in Books)

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Product Description

Amazon Review

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." --This text refers to an out of print or unavailable edition of this title.

Review

It seemed to be an impossible task to outdo the former edition of 'Dorian Gray' in the World's Classics series, but Bristow has achieved his goal. The quality of the explanatory notes is, simply, superb, and the introduction is succint but informative, --This text refers to an out of print or unavailable edition of this title.

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THE studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. Read the first page
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Customer Reviews

Most Helpful Customer Reviews
187 of 196 people found the following review helpful
5.0 out of 5 stars "To define is to limit." 25 Feb 2003
Format:Mass Market Paperback
Let me start by asserting that I'm pretty much an ordinary guy - I'm 17 and come from a UK comprehensive school. I've only recently tried dipping into the classics half-seriously and have little experience with the likes of Oscar Wilde. Sure I'm aware of 'The Importance of Being Earnest' and some of his witty one-liners, but until I bought 'The Picture of Dorian Gray' I had no serious interest in this man.
Classics are often interpreted by the public as fairly difficult to access; they are often hefty, dense and reserved for the University intelligentsia to comprehend. But this book is very different.
It contains the important and interesting psychological themes of hubris (pride and insolence) and also features the classic 'Faustian Pact' scenario: where an individual is willing to sell her or his own soul in return for something.
I suppose the MAIN appeal of this book is its narrative. Oscar Wilde writes - well - he writes 'wonderfully'. His prose is absolutely fascinating to read, and its rhythms guide you at a gentle pace through the book. Another key factor regarding the narrative is that it is generally interesting. There are so many classic books out there which can be difficult to access for the more impatient of us, but this one really is easily accessible for almost anyone. Did I mention that it contains some really brilliant one-liners?
...It's so cheap you'd be crazy not to give it a go.
It tackles themes through 'interesting' (I mean, genuinely interesting) metaphors, the characters are fascinating, the narrative is funny, acerbic, satirical and enthralling. While the story - the story itself - it just a pleasure to read. It contains a little love, a little humour, lots of tension and is ultimately a tragedy. Man - I URGE you to buy it.
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14 of 14 people found the following review helpful
5.0 out of 5 stars Be Careful What You Wish For 23 Jun 2003
Format:Mass Market Paperback
I chose to read this book after watching the original black and white movie in class, even if I didn't understand it due to my absance for the first half of the film. I was very pleased with the book, and the beutiful style of Wilde's prose. It was so sensual in his description.
The book follows the highly narcissitc Dorian Gray, who after having a portrait of himself painted, wishes he would not age and the painting does. The statement be careful what you wish for is stark and powerful here, as we witness the slow demise of the aristocrat. The characters are built wondefully, with Wooton being a personal favourite. The settings are rich in vivdness and the language sublime. This is surely a masterpiece.
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158 of 166 people found the following review helpful
5.0 out of 5 stars One of the modern classics of Western literature 24 May 2006
Format:Mass Market Paperback
Dorian Gray at the age of eighteen seems blessed beyond all other young men, possessing wealth and beauty. While having his portrait painted by the artist Basil Hallward, Dorian meets Lord Henry Wotton, a cynic and thinker who convinces Dorian that his youth and beauty are his most important possessions. Falling under Lord Henry's spell, Dorian wishes a fateful wish, that he would hold onto his youth and beauty, while his portrait would feel the effects of time and life.

And with his wish granted, Dorian Gray sets out to test all of the virtues and vices that life has to offer, free from the fear that his experiences will leave a mark upon his face. But, to his horror and dismay, Dorian begins to realize that while the mirror reflects the state of his face, the picture reflects the state of his soul.

This book is considered one of the modern classics of Western literature, and it is easy to see why. The book shows off Oscar Wilde's (1854-1900) writing talents to great effect, with the book seeming more like poetry at times. But, the story itself is quite fascinating. "What does it profit a man if he gain the whole world and lose his own soul?" asks Lord Henry, quoting Jesus Christ.

Overall, I found this to be a fascinating read. Oscar Wilde was a great thinker, and in many ways this book shows him at his best and at his worst. Which character represents Mr. Wilde, Lord Henry, Basil Hallward, Dorian Gray, or all three? I would say all three.

This is a great book, one that everyone should read, a book about living and what you do and what you are underneath. I give this book my highest recommendations!
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30 of 32 people found the following review helpful
Format:Kindle Edition|Verified Purchase
I always felt until now that works by Oscar Wilde would be overly flowery and "superficial" and only got this book because it was free on Kindle.
I could not have been more wrong.............Like the earlier reviewer suggested I had a very vague notion of Dorian Gray and the ideals he stood for but reading the novel it seems incredibly relevant to todays image obsessed society and the linked declines in morality.

The book itself is dark in places but still infused with humour and insights into human society and is a delight to read.

On the strength of this experience I have ordered several other "Classics" by authors I otherwise would not have touched.

Highly recommended.
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5 of 5 people found the following review helpful
5.0 out of 5 stars A picture says a thousand words... 22 Dec 2009
Format:Paperback|Verified Purchase
In roughly three weeks Dorian Gray starring Ben Barnes comes to DVD in the UK (and I intend to buy it. I have a region free DVD player and sadly there was never a US release of this film). I haven't seen this film version yet and I know it strays from the original novel but that's not the worst thing in the world. I've seen a version where Basil was a woman and it was set in the nineteen sixties with really bad acting. Now that was terrible. And there's also the 1944 version of The Canterville Ghost that turned it into World War 2 propaganda. So I don't mind what they've done with the Ben Barnes version of Dorian Gray.

But since I am waiting for this adaptation I would like to write a review now for the novel The Picture of Dorian Gray by Oscar Wilde. I LOVE the work of Oscar Wilde. Allow me to stress that. I absolutely love the work of Oscar Wilde. My two favourite works of his are The Canterville Ghost and The Picture of Dorian Gray.

The Picture of Dorian Gray tells the story of a young man who sells his soul for eternal youth and beauty. While he remains flawless, a portrait of himself grows uglier every time he sins. He cannot die unless you destroy the painting.
Thanks to temptation and vice Dorian falls into hedonism and debauchery. As he externally remains pure and untainted his soul bears the burdens of his actions as reflected in the painting. Dorian learns the hard way that it's not physical beauty that matters but the inner beauty of one's own soul in qualities of kindness, mercy and compassion, things that he had lost along the way for selfishness, hedonism and greed.

Dorian's fall from grace is a road lined with wit and humour.
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