This is a rather comprehensive introduction to the theory of photography from the Rochester Institute of Technology. Rochester (NY) is of course where the headquarters of the Eastman Kodak Company is located...
Note the word "theory" above. That the volume contains an appendix on the calculation of basic logarithms should give you a clue to the nature of this book.
This is a book about the physical properties of light, the chemical properties of photographic papers and film, and so on. It is not a book about composition and "beauty".
Photography is an art and also a craft. You would buy this book to become a better craftsman.
After a boring introduction to one of the most exciting topics I can think of (Light and Photometry) the volume covers exposure both at the picture taking (camera) stage and post-exposure (printing). These are extremely useful chapters for any photographer.
There then follows five chapters and 160 large pages whit what is essentially an introduction to science for photographers. You wouldn't guess it from the chapter headings, but you are given a brief introduction to statistics, sensiometry (excellent chapter!), optics, chemistry, and physical chemistry. Only what is relevant for photography is presented, and it is done at a fairly high-level. The level may suit you or frustrate you. The style is unlikely to excite you...
Finally, on page 213 we get practical and hands-on again with a chapter on black-and-while development followed, after a section on archival, by one of the gems of this book: tonal reproduction. Starting from the foundation it has developed over the five "boring" chapters it shows how to achieve the tonal reproduction that you want, and shows the Zone System as a practical approximation. Understanding the Zone System in this light (pun intended) will give you a great background on when and how to use it, and when not to use it: it is only an approximation.
The remaining chapters are classics and include excellent sections on visual perception, colors and color reporductions.
This book is a must read! I considered deducting a single star in the rating because the book is very focused on black-and-white photography. It does cover color, but not in the level of detail that I would have liked. In the end I decided that it would be unfair to give this book anything less than 5 stars: you should read it.