is a collection of 25 SF stories by Stephen Baxter, many thematically linked to his "Manifold" trilogy (Time
) and other novels of cosmic scope.
"The phase space of a system is the set of all conceivable states of that system," says the first page. As with "Manifold" these stories explore possible (and significantly linked) states of Earth and the universe, alternate timelines offering different solutions to Baxter's favourite cosmological question--the Fermi Paradox.
It's a simple idea. According to our best scientific theories there's nothing special about Earth or the Solar System. Intelligent life has evolved here--ourselves. It's likely to evolve elsewhere. The skies should be full of other intelligences. Where are they?
Perhaps our theories are wrong and we're in a galactic quarantine. Perhaps what we see through our telescopes is a clever fake--but supposing we overload the capabilities of the fakers? Maybe intelligence always destroys itself before crossing interstellar space, or something kindly takes emerging life away to a safer place. Perhaps there's teeming intelligence out there, but we're not listening on the right wavelength. Perhaps they're hiding...?
Another Baxter theme revisited again in this mind-stretching collection is the high-tech romance of the space programme and walking on the Moon. Alternate histories of space exploration are deftly conjured up, some of them wonderfully paranoid. Yet another theme is deep time--the unthinkable gulf from Big Bang to the final extinction of the universe and possibilities of life at both extremes.
Baxter at his best has a bleakly lyrical view of the remote future, reminiscent of Arthur C Clarke. There are homages to other classics, including Asimov's "Nightfall" and even Dante's Divine Comedy whose final vision of paradise takes on a highly unexpected SF meaning. --David Langford
--This text refers to an out of print or unavailable edition of this title.
‘Baxter is taking basic sf ideas and rebuilding them based on current science, technology and politics – a tried and true method sor sf writers but no less effective for that. Baxter apparently has the ambition and the energy to reinvigorate hard sf all by himself’
Locus on Space
‘Like all good sf, Space provokes questions. What kind of species are we?… the other reason Space works well is that Baxter is a good writer… his format and style are assured and keep you happily suspended and engrossed. Right up to the satisfyingly vertiginous climax… Malenfant is one of sf’s more memorable characters’
‘Pacy, visionary, extravagantly imagined, Time places Baxter firmly in the tradition of Arthur C. Clarke and Isaac Asimov. How reassuring to know that while so many authors are lying in the gutter of the information superhighway, someone at least is still looking at the stars’
‘Time is a big ambitious book… science fiction at its best’