- Paperback: 416 pages
- Publisher: Orion; New edition edition (4 Sep 2003)
- Language English
- ISBN-10: 0752842625
- ISBN-13: 978-0752842622
- Product Dimensions: 19.4 x 13 x 2.4 cm
- Amazon Bestsellers Rank: 457,859 in Books (See Top 100 in Books)
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More About the Author
Product Description
Product Description
Peter Ustinov was renowned throughout the world as an actor, playwright, director, novelist, wit and raconteur. Born in England in 1921 of Russian immigrant parents, he discovered an ability to mimic while at school. He wrote his first play before he was 20 and he had more than a dozen produced, three of which were later filmed. As an actor he won Academy Awards for Best Supporting Actor in SPARTACUS and TOPKAPI, and he also made three appearances as Agatha Christie's Hercule Poirot. More recently he directed operas in every major opera house in Europe. His one-man show, AN EVENING WITH PETER USTINOV was a hit in London and on Broadway, and he published several novels and one early volume of memoirs. This warm and revealing biography looks behind the public image to give an enthralling portrait of a man whose unique gift of laughter made him one of the world's most popular and respected entertainers.
From the Inside Flap
As actor, playwright, screenwriter, director, novelist, historian, broadcaster and incomparable raconteur, the name of Peter Ustinov is one to conjure with in theatre, film, radio, television, opera, concert-hall or the recording studio. British by birth, Russian by lineage, and international by reputation, Ustinov has often said 'I act for a living, I write because I must,' but as John Miller researched his life, he observed at first-hand how his subject also has a powerful compulsion to entertain. It first showed itself in Ustinov's precocious gift for mimicry as a child, and has continued through his rise to stardom in every aspect of his profession. In his eighties he has shown no sign of letting up - and not just in the theatre or cinema, but as an ardent human rights compaigner, and as a Goodwill Ambassador for UNICEF. What is the compulsion that drives him to go on working so hard, and in so many different fields? Ustinov, who has collaborated fully with John Miller, talks as frankly about his setbacks and disappointments, as he does of the rewards and excitements of his multi-faceted career. Friends and colleagues, too, have helped Miller in his search for the man behind the public image of the great entertainer. This warm and revealing biography is the enthralling story of a man whose unique gift of laughter has been delighting audiences for more than six decades. ILLUSTRATED 20 in UK only John Miller has previously collaborated with John Gielgud on his memoirs for radio and television, and their two subsequent books - An Actor and his Time and Acting Shakespeare. He has also written the authorised biographies of Ralph Richardson and Judi Dench, the latter now in its third edition. He has worked for BBC, UNESCO and TVS, and broadcast regularly on theatrical and historical subjects. For the Millennium celebrations he wrote and produced Men in Scarlet - a Son et Lumiere history of the Chelsea Pensioners presented at the Royal Hospital. In 2001 he collaborated with John Mills on his updated autobiography, Up in the Clouds, Gentleman Please. Credits: Front: Robin Mathews, Camera Press Back: Ustinov in Beethoven's Tenth: John Timbers Author : Tony Nutley Weidenfeld & Nicolson The Orion Publishing Group Orion House 5 Upper Saint Martin's Lane London, WC2H 9EA
--This text refers to an out of print or unavailable edition of this title.
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The earliest mention of the family name in Russia appears during the reign of Peter the Great (1672-1725), when the Tsar commissioned a trip abroad by an architect, Ivan Oustinoff. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
The earliest mention of the family name in Russia appears during the reign of Peter the Great (1672-1725), when the Tsar commissioned a trip abroad by an architect, Ivan Oustinoff. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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2 reviews
8 of 8 people found the following review helpful
Kirkus Reviews is way off!
18 Feb 2005
Format:Hardcover
"Another conscientious text that plods through its subject's life yet misses the insights that really inform ... Despite many appreciative testimonies and anecdotes from colleagues, Ustinov remains elusive under his many hats. More a résumé than a life. For diehard fans only."
Sorry, Kirkus, but I would love to read anyone's résumé if they all read like this one. It's amazing! True, as an authorized biography, it doesn't go into gossip. But Ustinov's intensely anti-autocratic mind is impossible to hide, anyways, so you hardly come away without knowing his thoughts on life. The book is incredibly funny and full of gorgeous language. Entire worlds like the theatre and the military form in your head. The world of Ustinov's family and lineage, of cavalier aristocratic fathers and disappointed sons, can be very moving.
As for Ustinov, he was deeply anti-cruelty, which is more controversial than you think. He wrote political satires and white-hot letters. He came to expect rejection from heads of state and entire countries ... and was sometimes deeply surprised by them. There are loads of unexpected anecdotes here, such as how Ustinov unwittingly changed Admiral Nimitz's mind about writing his autobiography. (Impressive stuff, but more importantly, Nimitz himself is quoted here. There is a moment where you sense just how saddened by war the man possibly was.)
It seems everyone has a chance at speaking in this book. Interestingly, that was precisely the criticism that was given of Ustinov's plays. They were long. Verbose. Brilliant but shapeless. They were actor's vehicles. And never a vehicle for just one actor at a time, either. Ustinov, not a fan at all of the heavy touch from the director, tended to refuse calls for cuts, or when he did cut, the plays simply grew long again as the actors had fun with their improvisations. Ustinov was beloved by the actors in his plays. But reading the review excerpts, you see how critics gave him his chances, but ended up frustrated.
The fact that Ustinov's own meetings with actors (especially famous ones) are depicted as utterly outrageous and hilarious, is a reminder that Ustinov is telling the stories here to the book's author. Still, outrageous is outrageous and hilarious is hilarious. Charles Laughton, Laurence Olivier, Hermione Gingold (making improper use of a sink), John Gielgud, Edith Evans ...
And there are fond recollections from Terence Stamp and others. Anegla Lansbury, who was only a kid when she met Ustinov. Ustinov was dating her sister, and Angela loved the way he used to leap into spouting nonsense languages. It may not seem very Lansburyish, but when Ustinov encouraged her to join the improvisations, she did heartily! Hardly the typical "As an actor, I was so grateful" story. Everyone is just a bit livelier in this book, it seems. They're more interesting. Possibly due to Ustinov's reminiscing, but the author writes more than well enough on his own.
It's a tremendous world that this man, Ustinov, lived in. He loved languages, accents, personalities, eccentrities, absurdities. Portions of those angry letters of his are quoted, as well. It's a valuable book, I really do think.
Sorry, Kirkus, but I would love to read anyone's résumé if they all read like this one. It's amazing! True, as an authorized biography, it doesn't go into gossip. But Ustinov's intensely anti-autocratic mind is impossible to hide, anyways, so you hardly come away without knowing his thoughts on life. The book is incredibly funny and full of gorgeous language. Entire worlds like the theatre and the military form in your head. The world of Ustinov's family and lineage, of cavalier aristocratic fathers and disappointed sons, can be very moving.
As for Ustinov, he was deeply anti-cruelty, which is more controversial than you think. He wrote political satires and white-hot letters. He came to expect rejection from heads of state and entire countries ... and was sometimes deeply surprised by them. There are loads of unexpected anecdotes here, such as how Ustinov unwittingly changed Admiral Nimitz's mind about writing his autobiography. (Impressive stuff, but more importantly, Nimitz himself is quoted here. There is a moment where you sense just how saddened by war the man possibly was.)
It seems everyone has a chance at speaking in this book. Interestingly, that was precisely the criticism that was given of Ustinov's plays. They were long. Verbose. Brilliant but shapeless. They were actor's vehicles. And never a vehicle for just one actor at a time, either. Ustinov, not a fan at all of the heavy touch from the director, tended to refuse calls for cuts, or when he did cut, the plays simply grew long again as the actors had fun with their improvisations. Ustinov was beloved by the actors in his plays. But reading the review excerpts, you see how critics gave him his chances, but ended up frustrated.
The fact that Ustinov's own meetings with actors (especially famous ones) are depicted as utterly outrageous and hilarious, is a reminder that Ustinov is telling the stories here to the book's author. Still, outrageous is outrageous and hilarious is hilarious. Charles Laughton, Laurence Olivier, Hermione Gingold (making improper use of a sink), John Gielgud, Edith Evans ...
And there are fond recollections from Terence Stamp and others. Anegla Lansbury, who was only a kid when she met Ustinov. Ustinov was dating her sister, and Angela loved the way he used to leap into spouting nonsense languages. It may not seem very Lansburyish, but when Ustinov encouraged her to join the improvisations, she did heartily! Hardly the typical "As an actor, I was so grateful" story. Everyone is just a bit livelier in this book, it seems. They're more interesting. Possibly due to Ustinov's reminiscing, but the author writes more than well enough on his own.
It's a tremendous world that this man, Ustinov, lived in. He loved languages, accents, personalities, eccentrities, absurdities. Portions of those angry letters of his are quoted, as well. It's a valuable book, I really do think.
4 of 4 people found the following review helpful
A wonderful man! A wonderful life!
24 Oct 2003
Format:Hardcover
A wonderful actor I always admired, but had not really seem much of his work. BUT he's not just a talented actor, but a writer, director, public speaker... oh the list goes on... and he does it all so well!
Ever since I was young and with a group of other children got to hear his great reading of "Peter and the wolf,"(we sat there on cushons at his feet, great experience!) I've always had a spot in my heart for this jolly and warm human being.
My only regret is not seeing or reading more of his work, but I will rush out and try to find as much of his work as possible!!
I never realized how prolific he is, this book was an excellent insight into his life.
Ever since I was young and with a group of other children got to hear his great reading of "Peter and the wolf,"(we sat there on cushons at his feet, great experience!) I've always had a spot in my heart for this jolly and warm human being.
My only regret is not seeing or reading more of his work, but I will rush out and try to find as much of his work as possible!!
I never realized how prolific he is, this book was an excellent insight into his life.
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