Amazon.co.uk Review
The talented Norah Jones came to New York and got famous in spectacular, multi-platinum fashion. So it's inevitable that recordings she made before she hit it big are starting to come to the fore--case in point, this CD by lyricist, songwriter and guitarist Peter Malick. Malick recorded these tunes with Jones in 2000 (when she was just 21), along with four other singers (Jess Klein, Kirsten Proffit, Antje Duvekot and his daughter Mercy). Stylistically, Malick's music is a radio-friendly blend of country and pop, with just a tinge of jazz, the same kind of genre that launched Jones on her Blue Note debut
Come Away with Me.
The material is mostly about love, longing and big city life. While all of the singers have basically the same style, the six tracks with Jones stand out. Except for the slow blues number, "All of Your Love" and the organ-fuelled up-tempo rocker "Deceptively Yours," the rest of the guitar-centric music is mid-tempo. And, yes, Jones sounds the same on the quirky "Strange Transmissions" and the Nashville-nuanced "Heart of Mine" as she does now. Kudos to Mr Malick for being in the right place and the right studio at the right time. --Eugene Holley, Jr
CD Description
"Here, in the tradition of Billie Holiday was a stunningly beautiful, blues infused voice. This was my first contact with Norah Jones". Peter Malick was not talking about hearing COME AWAY WITH ME for the first time, but about encounteringan unknown artist working in the trenches of New York City clubs approximately two years before Ms. Jones's Grammy deluge. Fortunately for Malick, Jones was receptive to the idea of working together on some of his own bluesy material. The resulting sessions, recorded in 2000 and released here as the EP-length NEW YORK CITY, give listeners an opportunity to hear an even younger Jones, one who still sounds impossibly seasoned and very much the self-assured artist.
Malick, who was a teenage protege of blues great Otis Spann over 30 years ago, contributes full-bodied and tasty guitar accompaniment. Though the material and production values on NYC aren't quite up to the standard of Jones's debut on Blue Note, her contribution as lead vocalist justifies the adage "it's the singer not the song", ensuring that this release is worthyof attention.