Following the extraordinary album "Peter Gabriel, Volume 3" must have been a rather daunting process. Especially with the hindsight that most people consider that certain album to be the best that Peter Gabriel has released. Or perhaps, it would have been rather daunting if we were commenting on the works of a lesser artist. With his fourth solo album Peter Gabriel simply steams ahead with his welcoming risk taking to craft an album that is undeniably one of his best.
This album is the first in which Peter Gabriel brings the world rhythms and instruments into the forefront. This is clearly demonstrated with the powerful driving beat of the drums in the opening track, "The Rhythm of The Heat". To say that this rhythm has my soul would truly be an understatement. This continues with the following song, "San Jacinto". It is the wonderful blend of the simple lyrics, warm but dark vocals and the powerful driving beat of the songs that make this album truly wonderful. All of which are clearly demonstrated in the two opening tracks.
The feeling of the album is lifted somewhat with the song "I have The Touch". A song that simply describes the basic emotion that is the yearning for human contact. The dark, scary sound in which first started this album and covered the entire previous album ("Peter Gabriel, Volume 3") returns with the song "The Family and The Fishing Net". A delicious song that describes a wedding in a somewhat sinister tone: "a warm flesh cake" is a fantastic way in which to describe a wedding cake. We have all experienced the disgustingly warm wedding cake, in which the icing does indeed feel like flesh. As Peter Gabriel's description of the wedding cake makes you want to vomit, so does the actual wedding cake. Unlimited vividness in his use of words.
Perhaps the most known song from this album is "Shock The Monkey". Again, another fantastic song. However, on this occasion a song, which describes the way in which jealously, can take over ones life, the end result of this emotion being that of complete pointlessness. All in all, a wonderfully powerful album. A one in which betters its predecessor, although I am aware that not all will agree with me. However, it is the world rhythms and beat that are used throughout that ensure that this album is indeed worth its weight in gold. However, there is one objection I have with this album and that is the final song, "Kiss of Life". This song simply does not fit on the album and if the truth were told, it is dreadful. Frankly the final song should have been the astonishing "Wallflower". However, this does not matter, the rest of the album more than makes up for this.