Peter Gabriel's first album caught everyone by surprise when it was released. His relief at shedding a heavy-soloing prog band is palpable, particularly to anyone who sensed his desire to exert total control over his later work with Genesis. Having heard the radio-friendly hit 'Solsbury Hill', however, most casual listeners I've met are stumped by the rest of the album. Not one track is representative of the work as a whole. Straight rock is covered by 'Modern Love' and 'Slowburn', though even the lyrics are typically oddball ('All I ever get is a spin in your washing machine'). 'Moribund The Burgermeister' and 'Humdrum' are both unique and quirky, 'Excuse Me' features barbershop harmonies, 'Waiting For The Big One' is parodic blues and 'Down The Dolce Vita' marries orchestra to funk rhythm and rock. The apocalyptic 'Here Comes The Flood' represents the big finish, complete with dramatic guitar solo and drum fills. I have always liked this a album a lot, though it seems to lack a little warmth at times. Even so, it remains one of his best.