Ultra Payloaded is exceptional. From the heads-down opening blast of Wish Upon A Dogstar, with its concrete groove as potent as New Order at their brooding, blissed-out, frenetic rockin' best, this album simply scorches.
Absolutely Farrell in its mix of genres and overall spirit, straddling rock, funk, dance, soul and electronica, its fair to say that Ultra Payloaded is more a pop project than a hot rock prospect: For every crunching guitar there's a neat dose of dance culture, soul or funk to boot; none more noticeable than on The Solutionists (track 5) which is probably the best homage to Norman Whitfield's The Temptations flava'd Psychedelic Soul I've ever heard, all updated to the 21st century.
Yet, for all its eclecticism, the album is bizarrely far more focused than the disappointing JA swansong, Strays, and thanks to Farrel's inclusive songwriting and production style, just keeps on hitting (rather than missing) with each successive track. Designed to be played loud, and guaranteed to be a belter live, this set is for those about to rock cut, free from the doom, clank and gloom of nu-metal or emo. Farrel helped set that scene with Jane's Addiction, but now he's broken ranks, and is playing what he wants, despite the inevitable howl that's bound to come from certain purist corners.
So, to sum up, this is just about every good time serving, blood-pumping type of music you could think of, finely crafted into eleven tracks of cool that's guaranteed to get you breaking speed limits on the motorway, whilst screaming along at the top of your voice, and punching the air when you reckon no-one might be looking...
Which is what music is supposed to be about, right?