Periphery

I'd seen Periphery's self titled album featured heavily throughout my regular Fixt emails, in the charts on iTunes as well as in Metal Hammer magazine but unfortunately gave them no thought until I heard the song Icarus Lives! on YouTube. The surprisingly funky yet heavy riffing, insane drumming and wonderfully diverse singing range hooked me instantly and before long I was listening to their song Buttersnips also. Upon hearing both songs, I quickly decided to purchase their full length album, hoping that the rest of the album would possess the same qualities that made me fall in love with the previously mentioned songs. After listening to the album, I was pleased to find out it did. The album also threw a couple of unexpected curve balls at me such as the much more melodic and down to earth song Jetpacks Was Yes!, the very mellow section in Insomnia and the comedic outro to Icarus Lives! This album just offers so many musical high points that I love. Being a fan of bands such as Dillinger Escape Plan, Between the Buried & Me, SikTh and other similar bands, I accepted Periphery with open arms. I strongly recommend this CD to anyone who likes their progressive metal.

I am vaguely aware from my son and his friends that various metal styles, including so-called "Djent", divide opinion and that there are purists who abhor Periphery. Reminds me of when I was 16. :)

So let me declare that I don't give a monkey's about such stylistic debates and this will be a review on musical merits alone.

As a first release (that I'm aware of), this is a very worthy album which shows lots of promise. Today, high levels of musicianship are a given in heavy metal but, alas, originality is often not. Periphery seem to be a far less bounded by stylistic "purism" and keen to experiment, and it is clear that there is a coherence to their choice of influences, which seem to include elements of metal bands like Meshuggah, Drum and Bass (or whtever it is called these days), Allan Holdsworth, late incarnation King Crimson, some Dream Theater, contemporary ambient music, and even pop and "Nu-Metal" (or whatever that is called these days). This may be where they lose many mainstream metal fans, and other musically less adventurous souls.

However, more important than this stylistic eclectism in orchestration are the musical ideas, and in both the compositions and performance, these are strong, embellished with original and witty solos. Some may find the rapid shifts of style within the songs a distraction, and I would agree that sometimes, there appears to be a gratuitousness about some of these abrupt shifts. But listen beyond this and you may find originality both in the compositions and lyrics, and imagination in their orchestration.

Standout tracks? Quite a few and I have found no major duds here. Of course, the obvious songs like "Icarus", "Jet Packs Was Yes!" are a good place to start, but others show their originality better.

The guitar breaks and solos on "Insomnia" (which starts off with a beginning similar to Yes's "Close to the Edge" before delivering a shattering suckerpunch of 7-string brutality), "Buttersnips" and "Totla Mad" are refreshingly original, showing both some jazz and industrial influences, beyond the the predictable diminshed/harmonic minor noodlings of less original metal bands. And yes, a lot of "djenty" riffery.

Sometimes the solos are also refreshingly laid back and blusey ("Jetpacks" and "Racecar"), something tough to find on some metal albums, whose guitarists almost seem afraid of such simplicity. Also, Periphery apparently see no reason not to use the studio as a musical instrument, so there are some refreshing uses of effects and sampling.

And whilst it is true that Periphery wear their influences on their sleeve, that's no bad thing: with the many diverse influences they have and the choices they make, I am very optimistic for future albums. Indeed, they may well turn out to be the band I wished Dream Theater had the imagination to be.

So if you're a style "purist", or perhaps not too advanced in your musical appreciation (hating jazz is a good sign), this may be too challenging (hence some of the negative reviews I've seen). But if you really like your progressive rock to actually be progressive (rather than Dream Theater's "Tim Rice and Andrew Lloyd Webber's 'Phantom of Metallica' for distorted guitars", or a rehash of other older styles), then check this out.

The band has been around since early 2004 and have gone through a line up change with the singer before the release of their self titled album. This release I would define as a brutal musical masterpiece and defiantly a must for fans of Between The Buried and Me, Skith and Meshuggah.

The music combines complex rhythms with a brutal progress metal sound with the added thrashing and shredding of the guitars bringing the album to its definitive sound. The vocals are strong throughout every song and although took a couple of listens to the album to appreciate the quality of musicianship the vocals are definitely a strength but like I said, it does take a while to get used to them. The album also presents a mix of electronic samples but composed with outstanding brutal riffs that again contribute to the definitive sound that is Periphery.

This release is one of the best instrumentally and musicianship that I've heard in a long time from the progress metal scene and honestly cannot for the band to tour and hear more from brutal progressive metallers Periphery!!

A must for fans of Between The Buried and Me, Skith and Meshuggah.