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Review
'Clear, engaging and informative.....The advice offered by the practitioners - those who have been there and are still there - is invaluable, and indeed inspirational.' - Deirdre Heddon, University of Glasgow, UK
'[This book] is a successful attempt to "get inside" the practice of eight (female) practitioners who work and write for a range of performance disciplines...The material in the book will serve as a useful resource for teachers, students and makers of performance in a firmly pragmatic way.' - Amanda Bolt, Platform
'Instead of hiding behind a notebook, Aston and Harris take the courageous step of committing to a genuine process of enquiry where they challenge themselves to not focus on what they have learned to look for, but to be ' in the moment' and to see what arises; the book is all the richer for it...The work is characterised by a desire to get down and (sometimes literally) dirty with the processes of creative practice and offers its results with warmth, humour and integrity.' - Emma Brodzinski, Contemporary Theatre Review
'[This book] is a successful attempt to "get inside" the practice of eight (female) practitioners who work and write for a range of performance disciplines...The material in the book will serve as a useful resource for teachers, students and makers of performance in a firmly pragmatic way.' - Amanda Bolt, Platform
'Instead of hiding behind a notebook, Aston and Harris take the courageous step of committing to a genuine process of enquiry where they challenge themselves to not focus on what they have learned to look for, but to be ' in the moment' and to see what arises; the book is all the richer for it...The work is characterised by a desire to get down and (sometimes literally) dirty with the processes of creative practice and offers its results with warmth, humour and integrity.' - Emma Brodzinski, Contemporary Theatre Review
Product Description
Drawing on hands-on experience from workshops and interviews, this innovative book explores the work of eight gender aware theatre and performance artists and companies. The authors offer rare insights into the processes as well as the practice of these artists and employ an 'inside', practical approach to understanding their ground-breaking work
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