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The man behind the camera is the hapless Roy Mallard, played by Chris Langham, but he is seldom seen. It was the type of role that Langham was to reprise in the film The Big Tease but for now, People Like Us remains his finest hour. Have fun also spotting the number of actors who would go onto greater things in the likes of Smack the Pony and Rescue Me. --Phil Udell
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The 'fake documentary' format is of a much higher quality than other programmes (such as 'The Office'), and extends to the point that it was advertised and announced as a serious documentary, with the actors and actresses not credited as such. (Their names appear merely in a "With thanks to..." during the ending titles.)
This concept coupled with the typical eighties style theme music and "always unseen" presenter makes for an interesting gimmick, but not necessarily for an interesting programme. Amazingly, however, it is John Morton's script and directing which turns the series from a great idea to a fantastically high quality programme.
With the transfer to television from the radio series Morton has managed to utilise the visual medium to its advantage, most famously with the shyness of the presenter, Roy Mallard (played perfectly by Chris Langham), him not appearing on the camera at all, with only glimpses of his hand and the odd reflection in a window.
But it's not just Chris Langham who is good; *all* of the cast are absolutely excellent, especially as each episode features all new characters, with nearly all of the actors being unknowns. (Though admittedly since being in 'PLU' many, such as Sarah Alexander, are pretty well recognised!)
Think I've rambled on far too much, but the last note should be about the rewatchability of the series. The jokes are spread so thickly and yet discreetly that you can be watching an episode for the fifth time and notice a joke you hadn't spotted before ever, usually because you were laughing so hard from the previous line! Well, happens in my case, anyway.
Oh, forgot to say the sort of subject matter. Okay, one line: Roy Mallard plus cameraman following person or company around for a day in each episode (think Louis Theroux here), everything usually goes to pot, though in fairness that is often more the fault of the interviewed rather than Roy himself.
You've read to the end of this review? Wow...I wouldn't have.
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