Possibly one of the first concept album of the 80's and filling in some of the themes previously touched on the Human League's 'Travelogue'.
There are two strains of thought that course throughout 'Penthouse and Pavement'. 'Groove Thang', 'Geisha Boys and Temple Girls', 'Lets All Make A Bomb', 'Height of The Fighting' and 'We're Going To Live for a very Long Time' hold a mirror up to the world at large and report back on the distortions locked in their subjects; US Politics and their effect on the world, Religious implications and their impact on relationships, The possibility of nuclear war (a subject that mattered greatly in '81), war (in general) and religious extremes.
'(We don't need this) Groove Thang' sets the tone for the rest of the album; a serious 4/4 workout full of chants and a slinky bass line similar to what Frankie would do three years later on 'Two Tribes' and so good, it was banned by the BBC.
'Penthouse and Pavement', 'Soul Warfare', 'Song with No Name' and 'Play to Win' look inwardly at 80s Britain; principally the rise of the yuppie - their focus on money, their empty relationships with money, cocaine, the beginning of privatisation and Thatcherism (most critics lazily assumed that Heaven 17 were celebrating the lifestyle little realising that Gregory, Marsh and Ware were all Socialists).
Sounds drab eh? Not a bit of it - this is music for the mind, heart, soul and the feet. This album is fuelled by early analogue electronics that most modern bands would kill for, looping over this - some of the most killer bass lines; generating precision but fluid rhythms you can't help but move to. There is now an import version of the album available which features one of their greatest 12"s; 'I'm your Money', which explores similar themes to the album and sounds like Detroit techno at least seven years before it existed. Celebrate and vaporize.