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The Penguin Guide to Compact Discs and DVDs 2004 (Penguin Guide to Recorded Classical Music)
 
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The Penguin Guide to Compact Discs and DVDs 2004 (Penguin Guide to Recorded Classical Music) (Paperback)

by Ivan March (Author, Editor), Edward Greenfield (Author), Robert Layton (Author)
3.8 out of 5 stars  See all reviews (6 customer reviews)

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Product details

  • Paperback: 1616 pages
  • Publisher: Penguin Books Ltd; Revised edition edition (4 Sep 2003)
  • Language English
  • ISBN-10: 0141013842
  • ISBN-13: 978-0141013848
  • Product Dimensions: 23 x 17 x 6.2 cm
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon.co.uk Sales Rank: 411,784 in Books (See Bestsellers in Books)

    Popular in these categories:

    #82 in  Books > Music, Stage & Screen > Music > Guides to Music > Classical Music
    #82 in  Books > Music, Stage & Screen > Music > Styles > Classical Music > Guides to Classical Music

Product Description

Review

"More valuable than ever to any serious collector of classical music." ("The Wall Street Journal")


Product Description

This guide reviews thousands of classical CDs and selects some of the best new DVDs. Ranging from long-established recordings to the latest releases, from premium-priced CDs to bargains, it represents the cream of the international recorded repertoire and contains all the information required to make selections from some of the finest music available.

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The Penguin Guide to Compact Discs and DVDs 2004 (Penguin Guide to Recorded Classical Music)
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The Penguin Guide to Compact Discs and DVDs 2004 (Penguin Guide to Recorded Classical Music) 3.8 out of 5 stars (6)
The Penguin Guide to Compact Discs 1999/2000 (Penguin Reference Books)
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The Penguin Guide to Compact Discs 1999/2000 (Penguin Reference Books) 4.5 out of 5 stars (6)
The Penguin Guide to Recorded Classical Music 2008
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The Penguin Guide to Recorded Classical Music 2008 3.2 out of 5 stars (13)
£17.00
The Penguin Guide to Recorded Classical Music 2009
5% buy
The Penguin Guide to Recorded Classical Music 2009 2.8 out of 5 stars (9)
£18.50

 

Customer Reviews

6 Reviews
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64 of 76 people found the following review helpful:
3.0 out of 5 stars Let The Buyer Beware, 13 Nov 2003
By NNNNN "xxxxxxxxxxxxxxxxxx" (xxxxxxxxxxxxxxxxxx) - See all my reviews
(TOP 1000 REVIEWER)   
The Penguin Guide gets bigger but not really better. Some of the editorial logic is quite a bit baffling and errors riddle the book, many of them carried over from prior editions. Comprehensive it is not as the editors admit that, because of the increase in recordings, it has been more selective based on among other things availability. That logic is also baffling. For example Ligeti rates only 4 albums and Penderecki 2. Lack of availability is no excuse here as both composers have major recording projects on going by at least 3 major labels over the last 5 or so years. How the mighty have fallen. Together they barely rate a page yet Percy Grainger has 4 pages of entries!

One expects a slight British bias but the Guide has become a Simon Rattle Fan Club. He can do no wrong and is top choice in whatever he does. One need only look at the listings for complete Beethoven Symphonies. Karajan, Toscanini, Wand ,Jochum (to name a few) barely rate a paragraph while Szell has been banished from the complete set area and relegated to the individual issues. Rattle's set gets 5 paragraphs of mostly fluff.

As to errors here is a small sampling. If I listed all I have found so far I would excede Amazon's word limit. Boult's Everest Vaughn Williams 9th is still mentioned as being recorded several months after the composers death. It was actually begun some 7 hours after the composer's death (it was an already scheduled session) as Sir Adrian's recorded introduction on the cd clearly indicates.Welser-Most's Bruckner 5th gets a glowing review, I think. There is a paragraph at the end praising a performance but no mention of who the performers are. Dame Lympany's excellent 2 cd Chopin set on Dutton also receives high praise but there is no star rating or possibly a rosette by the recording. The recent Chandos issue of the original members of the Borodin Quartet playing the first 13 Shostakovich String Quartets are mentioned as being mono recordings from the 1960's. They are very definately Stereo and were made in the 1960's and 1970's unless the Brodin's had ESP and were able to foresee the 1970 13th Quartet. Makes one wonder if they actually have listened to the recordings as this type of error pops up quite a bit. Furtwangler's "Tristan und Isolde" gets a glowing paragraph followed by another that virtually repeats the above with the mention of a new remastering. The 1st came from prior editions. If the editors were cramped for space one would think the redundant paragraph would be ditched. Make room for another Percy Grainger review. As I said a small sampling from a list, so far, of about 30 with I am sure more to follow.

Comprehensive, no and that by the editors own admission. Reliable? Well have some large grains of salt at hand and don't believe all you read. As composer Bernard Herrmann (also banished in the new edition) once said, "Just because some idiot put it in print doesn't make it holy writ". Words that might fit both this writer and the Penguin Guide :}

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37 of 45 people found the following review helpful:
5.0 out of 5 stars Comprehensive and Reliable Guide to Classical C.D.'s, 17 Sep 2003
By Steve (Huddersfield, U.K.) - See all my reviews
(TOP 500 REVIEWER)      
A big welcome for a big book! Unlike 2002's edition, which was just a yearly update together with reviews of collections, this 2003/2004 Guide casts its net over the whole range of classical C.D.'s now available in tthe U.K. There are now so many recordings available that the editors have re-thought what to include, and have I think come up with the best overall solution.

Collections of shorter pieces are, by and large, left until next year's edition. The reviewing team here concentrate on the major, and not-so-major, pieces by a wide range of composers. There are 1600 pages, but even so they have had to be selective , and their decision to review only those recordings which may safely be regarded as amongst the best is sensible. With so many excellent discs around, there's not much point wasting space on the non-competitive ones. Of course we all have our own ideas of the 'best' (and one of the pleasures is disagreeing occasionally with the reviewers), but between them these writers have decades of experience listening to recordings and concerts. They are a pretty reliable guide....

New to this edition is the inclusion of 'key' recordings. These are recommendations for the basis of a classical collection, and again the choices are on the whole very sensible. They are indicated by a key symbol in the text, and also are listed at the back of the Guide; so if you are in a desparate hurry you can just glance at the suggested recording of, say, Shostakovich 5 before dashing out or ordering on the Web. The old 'rosette' symbol has also been retained for discs dear to particular reviewers. I am glad of this, as there is usually something special about them.

There are also reviews of some SACD's and opera DVD's. But as the authors point out, some SACD's are very expensive and we are currently in a very price-conscious age. It will be interesting to see..(I think SACD prices will drop here in the UK).

A couple of new discs I was personally delighted to see listed are Barbirolli's live Elgar 1st. Symphony on BBC Legends, and an amazing Handel Fireworks Music recorded by a huge wind orchestra in the middle of the night in the 1950's!(on Testament).

This is the sort of guide that pays for itself, and will be an absorbing read for anyone interested in classical recordings. But you may end up using your credit card rather a lot. I have done, already.

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5 of 7 people found the following review helpful:
4.0 out of 5 stars too much rattle, 27 Mar 2005
By A Customer
It's great to dip into, especially for suggesting previously unheard music. On the whole, reviews are safe, but the Rattle/Karajan adoration society goes much too far. The recommendations for several Mahler symphonies, for example, are absurd.
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