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For the first 90 minutes of the movie, Affleck and Beckinsale find a nice, appealing chemistry that plays on his strengths as a movie star and hers as a serious actress--he gives her glamour, she gives him smarts. Their truncated romance--the beginning of which is told in flashback so we can get right to the point where he has to leave her to go to England--works, thanks to their charm. They're no Kate and Leo from Titanic (a strategy the film strives hard toward), but they're pretty darned adorable in their own right. Hartnett, as the not entirely unwelcome third wheel, squints bravely but makes only a slight dent in the film. Everyone else in Pearl Harbor--from Cuba Gooding Jr.'s brave navy seaman to Jon Voight's able impersonation of FDR--is pretty much a glorified walk-on, taking a backseat to the pyrotechnics and action sequences that keep the three-hour film in fairly constant motion. But when that action does take hold, Pearl Harbor is quite a thrilling ride. --Mark Englehart
This film had such a huge budget that it had no excuse to fall down anywhere. Indeed, all persons involved have done films that I love and/or respect. Brockhiemer (Producer) and Bay (Director/Producer) have produced, together and individually some of the best action films of the '90s. All the main actors have done solid or even great performances. And Wallace (screenplay) cut his teeth with a worthy effort on Braveheart. However, all this experience just seemed to confuse everyone on the project.
The plot and scipt are shallow, static and cliche. This is hardly a good foundation. Michael Bay then seems to have no idea what he is doing with his cameras. Each scene is so short and uninformative there is no characterisation, and just giving everyone Southern accents doesnt mean they dont have character depth.
The action is the one thing that the Bay and Brockheimer duo should have got right, but even this doesnt cut it. While the special effects are the only positive thing (the cgi really is seemless). But Bay just points the camera rather flatly, sluggishly and very unoriginally at planes and explosions, or gives the camera a lot of shaking to imply that 'this is intense'.
The plot of the love triangle is so unexciting that really it just gets in the way. Just because they speak of love and sacrifice and emotional turmoil does not give even girly girls on a girls night in together an excuse to be sympathetic to it.
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