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Historical snippets are interleaved, with Mako and Jon Voigt stiff under the prosthetics asAdmiral Yamamoto and Franklin Roosevelt, and a lot of detail is given about things like the wooden rudders on the new Japanese torpedoes, the chaos in the understaffed hospital as the heroine is forced to make lipstick triage marks on wounded men's foreheads and the terrible effects of strafing. A surprisingly bright little performance from Dan Aykroyd (a sole reminder of 1941) as an intelligence analyst is balanced by an insufferably smug one from Cuba Gooding Jr as a token black supporting hero. It's the first film of the George W Bush era: aggressive and dumb as a rock, utterly uninterested in period--no one in this WWII-era army smokes, swears or uses racial abuse (Gooding's boxing opponent sneers at him because he's a cook)--and awkwardly straddles a dignified treatment of the Japanese and America's actual spasm of hatred after the attack (one soldier refuses to be treated by a Japanese doctor, but that's it). When Pearl Harbour is bombed, we see endangered dogs, drowning men and dead women, but when Tokyo gets blasted in payback only buildings are destroyed and in long-shot. Michael Bay (Armageddon) remains a jittery director, a great second-unit man who can't deal with people or stories. It borrows from Titanic and Saving Private Ryan, but tidies the war of the latter up so it can still haul in a broad audience and therefore misses the real tragic sense of the former.--Kim Newman
On the DVD: Considering there are two discs in the special edition of this special effects homage, the second DVD is woefully short of extras. There is a 45-minute featurette on the highs and lows of bringing Michael Bay's magnum opus to the screen which, along with the usual interviews with cast and crew, features the more compelling eyewitness testimony bringing the events of December 7, 1941 to life. The irony of the second disc focussing on the research and quest for historical accuracy is a little difficult to swallow, considering that the film is little more than a paper thin, overly romanticised muddle of history and fantasy, but for those wanting to experience the real events on that fateful day rather than the Hollywood version, this is an excellent antidote. The movie has been THX digitally mastered for superior sound and picture quality improving those big-bang special effects and is presented in anamorphic widescreen with 2.35:1 aspect ratio. Unlike the Region 1 release, there's no DTS track but the 5.1 Dolby Digital sound is more than up to the challenge of the effects laden assault, with different elements of the Japanese attack rumbling between the speakers and making you feel you're in the thick of things. -- Kristen Bowditch
This film had such a huge budget that it had no excuse to fall down anywhere. Indeed, all persons involved have done films that I love and/or respect. Brockhiemer (Producer) and Bay (Director/Producer) have produced, together and individually some of the best action films of the '90s. All the main actors have done solid or even great performances. And Wallace (screenplay) cut his teeth with a worthy effort on Braveheart. However, all this experience just seemed to confuse everyone on the project.
The plot and scipt are shallow, static and cliche. This is hardly a good foundation. Michael Bay then seems to have no idea what he is doing with his cameras. Each scene is so short and uninformative there is no characterisation, and just giving everyone Southern accents doesnt mean they dont have character depth.
The action is the one thing that the Bay and Brockheimer duo should have got right, but even this doesnt cut it. While the special effects are the only positive thing (the cgi really is seemless). But Bay just points the camera rather flatly, sluggishly and very unoriginally at planes and explosions, or gives the camera a lot of shaking to imply that 'this is intense'.
The plot of the love triangle is so unexciting that really it just gets in the way. Just because they speak of love and sacrifice and emotional turmoil does not give even girly girls on a girls night in together an excuse to be sympathetic to it.
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