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Paul McCartney: The Songs He Was Singing [Paperback]

John Blaney
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

2 April 2003
Paul McCartney: The Songs He Was Singing traces the ups-and-downs of a remarkable career. Using facts, figures and anecdotes, it reveals the influences and stories behind every song written by Paul McCartney since the break-up of the Beatles, who played on them, where and when. Taking an in-depth look at McCartney's recording sessions, Paul McCartney: The Songs He Was Singing unravels the stimuli of contemporary events, the musical influences that have shaped his life and the studio experimentation that helped fashion his music. Paul McCartney: The Songs He Was Singing is a fascinating guide to Paul McCartney and his music that maps his journey from ex-Beatle to twenty-first century renaissance man. Fully illustrated with over 150 examples of rare album artwork and record labels, this is the ultimate exploration of the ex-Beatle's solo recording career.


Product details

  • Paperback: 352 pages
  • Publisher: Paper Jukebox (2 April 2003)
  • Language: English
  • ISBN-10: 0954452801
  • ISBN-13: 978-0954452803
  • Product Dimensions: 24.2 x 16.8 x 2 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 4,461,837 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Product Description

Excerpt. © Reprinted by permission. All rights reserved.

Give Ireland Back To The Irish / Give Ireland Back To The Irish (Version)
Wings
Released 25 February 1972. Apple Records: R 5936.
Highest chart position: Number 16.

[7a] Give Ireland Back To The Irish (McCartney and McCartney)
Personnel: Paul McCartney, Linda McCartney, Denny Laine, Henry McCullough and Denny Seiwell. Recording Studio: Abbey Road Studios and Island or Apple Studios, London.
Producer: The McCartneys.
UK release: 25 February 1972.
US release: 28 February 1972.

Wings' début single, the first by the mark two line-up, was written by Paul in response to the Bloody Sunday Massacre that occurred in Northern Ireland on 30 January 1972. The political situation in the province, made all the worse by the actions of British troops on that fateful Sunday, repoliticised both nations involved in the conflict. Although John Lennon was several thousand miles away in New York, he also felt the need to comment on the situation. However, whereas Lennon used the old trick of turning a cliché on its head to make a satirical comment, Paul's appraisal of the situation was less successful but no less politically motivated. Speaking to Sounds about his decision to write the song, Paul said: 'Our government happened to be shooting Irish people, and I thought that was real bad news and I felt I had to say something about it. I'm glad I did because looking back, I could have just sat through it and not have said anything. But it was just that it got so near home on that particular day I felt I had to say something.'
Written, recorded and released at lightning speed, Give Ireland Back To The Irish saw Paul reintegrate himself, in spirit at least, with the political counter-culture.24 However, this was more a one-off statement of disgust than an attempt to align himself with the radical left as Lennon was doing in New York. Commenting on his decision to release this statement of critical intervention, and the political pressure Lennon was experiencing for expressing similar beliefs, Paul said: 'I always used to think, God, John's crackers, doing all those political songs. I always used to think it's still cool not to say anything about it, because it's not going to sell anyway and no one's going to be interested. So I tried it, it went to number 1 in Ireland and, funnily enough, it was number 1 in Spain, of all places. I don't think Franco could have understood.' On its release, the song was immediately banned from British airwaves, which didn't help the record's sales, but added to its credibility.
When performed during Wings' British and European tours, Give Ireland Back To The Irish went down surprisingly well with audiences. As McCartney noted, it was a highlight of his live performances: 'The great laugh is when we go live, it makes a great announcement. You can say, "This one was banned!" and everyone goes "Hooray!" The audience loves it. Everyone is a bit anti-all-that-banning, all that censorship.' McCartney's decision to play the song in concert may have been politically motivated, but he was also forced into performing it through lack of more suitable material. Wings' repertoire was limited and the band often had to perform songs twice to pad out their live sets. No matter how politically motivated he was, Paul had little choice other than to perform the song in concert.
Give Ireland Back To The Irish was still causing problems almost thirty years after its original release. When Paul wanted to include it on Wingspan – Hits and History, EMI asked for it to be removed. 'I support the idea of Ireland being free and being handed back,' explained Paul. 'I feel that, like a lot of people, but I don't support their (the IRA's) methods. I certainly don't want to be in support when a bomb goes off in London and people are killed.  I would have a hard time supporting that.  So when EMI rang me up and said, "Look, you know, we're pretty nervous and you don't have much time on the album. We should pull that one," that was really why it got pulled.'

[7b] Give Ireland Back To The Irish (Version) (McCartney and McCartney)
Personnel: Paul McCartney, Linda McCartney, Denny Laine, Henry McCullough and Denny Seiwell. Recording Studio: Abbey Road Studios and Island or Apple Studios, London.
Producer: The McCartneys.
UK release: 25 February 1972.
US release: 28 February 1972.

The b-side was an instrumental version, an old trick favoured by reggae bands. Give Ireland Back To The Irish was released with custom labels featuring five shamrocks (symbolic of the new five piece line-up?) and generic yellow Wings sleeve.


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7 of 8 people found the following review helpful
4.0 out of 5 stars Comprehensive 10 Jun 2003
Format:Paperback
This book deals with all the McCartney output outside of The Beatles – so starting with “The Family Way” and ending with “Back In The US” (“Back In The World” appeared after the book was published). The book is divided into 4 sections – each section spans a decade, so 1970 – 1979 (subtitled: I Am Your Singer: Flying Solo With Wings), 1980 – 1989 (Subtitled: Rough Ride: The Wilderness Years. This because the author feels that McCartney lost his sense of direction during that period), 1990 – 1999 (subtitled: Looking For Changes: New Horizons, New Directions. The author states that McCartney started to think outside of the box in that decade – a rebirth of his music) and finally 2000 – present (Subtitles: Here Today – The Way Ahead).
The book deals thoroughly with all McCartney albums and singles and tracks on soundtracks etc. and contains plenty pictures of Album & single covers (all in black & white). For each song, there is a description on how it came about, personnel playing on the track, highest chart position (if applicable), Label details, Producer(s), Recording details and UK & US release date.
In the intro the author clearly states that he wants to provide a traditional discography with contextual information and a critical analysis. This means that we get to read his opinion of all McCartney’s music. Now opinion is a very personal thing, and I’m sure that, like me, you will not agree with everything that the author has written in that respect. Still, I have to say that I’ve read much worse examples of authors trying to force their opinion on the unsuspecting reader.
All in all the book seems to be a thorough piece of work, well worth having. I couldn’t verify all the details in the book, but I did find that it’s not always correct.
The song in question is “Through Our Love” from the Pipes Of Peace album (1983). I know for a fact that Geoff Whitehorn played acoustic guitar on that one, yet he is not listed on the track (which lists personnel: Paul & Linda McCartney, Eric Stewart) nor is he listed in the introduction of the album. This sort of thing always makes me wonder how correct the other details in the book are.
Still if your looking for a comprehensive McCartney discography, you can’t go wrong with this one for the price they’re asking for it.
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6 of 7 people found the following review helpful
5.0 out of 5 stars At last! The Book I've Been Waiting For. 26 April 2003
By A Customer
Format:Paperback
Summary: A fully illustrated, well informed account of McCartney's solo recording career.

At last some one has given Paul McCartney's solo career the attention it deserves. The moment I got the book I chased through it to find my favourite songs. The chronological layout and illustrations made it easy to find what I was looking for. Although the author's views didn't always coincide with mine, I thoroughly enjoyed reading this, and found it hard to put down. The book I have been waiting for. This book does for McCartney what Ian MacDonald's 'Revolution In The Head' did for the Beatles. A must have for any serious fan of Paul Mccartney's.

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5.0 out of 5 stars Revolution in Sir Paul's Head 3 April 2010
Format:Paperback
The book basically takes over where Macdonald's Revolution in the Head leaves off, and in the same general way gives great detail and insight into the writing of each song.
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