Ignore the idiotic title that belongs on a cheesy romance novel, because it's not representative of "Passion's Way." Instead, this moderately steamy costume drama is based on Edith Wharton's novel "The Reef," and more or less follows the book faithfully, with some beautiful settings and (mostly) excellent acting.
Charles Darrow (Timothy Dalton) has been reunited with his first love Anna (Sela Ward), now a widow living in France. He plans to propose to her, but on the train receives a telegram telling him not to come. Angry and hurt, he decides to escort pretty Sophy Viner (Alicia Witt), a feisty young companion, around Paris for awhile. Unsurprisingly, they end up in bed, and part amicably.
A few months later, Anna calls Charles to her mother-in-law's chateau, and explains why she cancelled his visit. Their romance is back on track... until Charles sees that Sophy is the new governess, and engaged to Anna's stepson. They try to keep their past fling a secret, but soon Anna learns the truth, and faces a terrible choice.
Wharton was channeling Henry James in this particular book, and "Passion's Way" has the same languid, inward-looking feeling. But it's also a study of tough relationship questions -- should infidelity be forgiven, and at what stage of a possible relationship does it become infidelity? And if someone wrongs you, can you trust them again?
It's also very prettily staged, with beautiful dresses, country picnics, Paris operas, a gorgeous chateau and some exquisite woods. The direction is slow and stately, and just when you think all will be well the plot takes another twist, although the ending leaves something to be desired -- though faithful to the book, it feels like a capitulation.
As a Wharton lead, Dalton is a dud -- Charles is weak and easily upset, and Dalton seems befuddled by how to handle him. Fortunately the women's roles are juicier. On the other hand, Ward is glowingly brilliant as the strong, somewhat lonely woman who finds passion in midlife, and Witt is also good as the poor governess. The scene where these women face off is the best of the movie.
Despite its awful title, "Passion's Way" is a pretty solid -- though flawed -- adaptation of Wharton's novel, and a nice little love triangle with a semi-satisfying finale.