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Essentially, it's a collection of early collage pieces, with one serial piece (Symphony No 2), and early tintinnabuli pieces. The collage pieces - Collage, When Bach Was a Bee-Keeper and Credo - are all based on Bach, and are among the most accessible of his non-tintinnabuli works ('Bee-Keeper' in fact dates from the early tintinnabuli period and sounds a little like a dry run for Tabula Rasa). Credo is arguably the turning point in Part's whole career. Growing tired of serialism, the piece is a portrait of the composer having a major crisis. The piece starts loud, and then in comes the theme from Bach's C Major Prelude. Disquiet appears, however, and the ever more cacophonic orchestra builds up and up until it is producing virtually white noise, eventually resolving into tonality and Bach again. This sums up in a few minutes a journey that took Part almost a decade to undergo, from 1968, when Credo was premiered (and immediately banned for its religious content) and 1976, when the tintinnabuli works started to appear. I have come to find this performance of Credo extremely moving, much more gripping than Helene Grimaud's recent version. This is a major Part piece, and is worth buying the CD just for this.
Of the tintinabuli pieces, stand outs are the orchestral versions of Summma and Fratres. I love these versions, especially the way the kettle drum builds up in Fratres.
Overall, this is one of the best non-ECM Arvo albums (others would include I Am the True Vine, Triodion and Beatus), dominated as it is by the powerful and explosive version of Credo. That Part has come through the crises that produced this music is a testament to his resilience and stature as an artist.
However, this CD is certainly worth trying if only for the recording of Summa, (track 5) which is undoubtedly the best version that I have found to date amongst his work.
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