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Dyer crafts 'Paris Trance' at his own idiosyncratic (and now his trademark) intersection of genres, not least in his fascination with the ability of prose to convey the visual, as with film and photography, while always remaining sensitive to the emotional climate of the world that he creates. Dyer is also clearly the inheritor of the spirit, if not the style, of earlier twentieth century works of fiction such as Conrad's 'Heart of Darkness', and F. Scott Fitzgerald's 'The Great Gatsby' and 'Tender is the Night', with his concern for the degeneration of social relationships and the perils of admiration which approaches hero worship. It is the skill with which Dyer executes his exploration into the nature of highly restricted social circles, bordering on philosophy and social psychology, which makes 'Paris Trance' a magnificent, and thoroughly engaging, work of late Twentieth Century fiction.
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