Life was cheap in New York City in 1863, the setting for this powerfully realized, naturalistic novel. For $ a man who did not want to fight in the Civil War could hire another man to take his place, an option available only to the wealthy, the poor, of necessity, obeying the draft. Living in the city's fetid back alleys, where pigs ran wild, children sailed paper boats in rivers of blood running out of butcheries, and horses and dogs rotted where they fell, the mainly Irish poor finally reached their limits and exploded in murderous rage. During three of the hottest days in July, 1863, they rioted, bludgeoning any man, woman, or child who got in their way, saving their particular wrath for blacks, whom they blamed for the war--innocent neighbors who were stripped, set on fire, and hanged from lamp posts.
The "Draft Riots," the people who participated in them, the conditions which spawned them, and the politicians, churchmen, and police who either did not or could not stop them, are fully examined in this huge novel, filled with ugliness and offering little in the way of hope.
These days of anarchy, with all their depredations, are recreated through the stories and points of view of seven characters--Ruth Dove, who survived the Irish potato famine (depicted in horrifying background detail) and her husband Billy, a former slave; Dangerous Johnny Dolan, Ruth's abusive and jealous former lover; Johnny's sister, Deirdre Dolan O'Kane, and her husband Tom, who participates in the battles of Fredericksburg and Gettysburg; and newspaper hack, Herbert Willis Robinson, who follows the rioters around the city while worrying about his lover Maddy, a woman who became a prostitute when he refused to give her entree into his world.
Baker is a master of odd, and apparently accurate, details from the period, devoting many pages to wide-ranging background material, and developing his characters just enough to make the plot seem plausible, despite its remarkable coincidences, its frequent telegraphing of the action, and an ending which leaves no loose ends. The picture of humanity here is very dark, with details sometimes appearing to be inserted for their shock value. The mob's ghoulish delight in torture and mayhem is sustained for over 600 pages, an experience which makes the reader long for a moment or two of levity. I wish, among all the encyclopedic detail, Baker had offered a few hints about the inner resources which allow one or two characters to rise above the fray and achieve grandeur. Mary Whipple