Paradise [Paperback]

'Paradise' contains a number of interesting characters: the good-natured banter between Sikh Harbans Singh (Kalasinga) and Muslim Hamid Suleiman is a real treat, as is the interaction between Yusuf and similarly indentured shopkeeper Khalil. Undoubtedly, the stand-out feature of 'Paradise' is Gurnah's beautiful poetic prose: every aspect of this novel was completely mesmerising from the first word to the last. 'Paradise' succeeds on many levels: as a coming of age story; commentary on slavery and colonialism; tale of travel and adventure in a past world; and story dealing with first-love and friendships. 'Paradise' was short-listed for the Booker back in '94 and richly deserves a continued wide readership. I hope to read more of Gurnah's work, and have bought Gurnah's critically acclaimed 'By the Sea' on the strength of my enchantment with 'Paradise'.

When Yusuf is sold to his "uncle" Aziz, he leaves his remote rural village in what is now Tanzania and joins a trading caravan, traveling to the highlands and eventually on an ill-fated trading safari to the remote interior, discovering whole new worlds as he goes. In eight years of travel, he "progresses" from the countryside to a coastal city, from simple subsistence to the complexities of urban, mercantile life, and from his childish pleasure with a shiny coin to an adult's need for love.

Yusuf, as a young child/adolescent, is an obvious symbol of Tanzania itself at this stage of its history. Just as Yusuf must come of age, so also must the country as the various groups contending for influence must make choices about how much they will accept, reject, or adapt to outside influences. As Yusuf comes into contact with tribal chieftains, Muslim traders, Indian shopkeepers, and German empire builders, the reader observes all contending for influence, within Yusuf and within the loose, artificial borders of Tanzania.

Creating vivid images primarily through his selection of the perfect detail, Gurnah uses simple, poetic language to tell a story loaded with important social and political observations, conveying clearly and objectively the historical background of the country in which he was born. Dialogue is often filled with humor, and Yusuf becomes a real person, not a cardboard symbol. A novel which begins as a beautifully realized coming-of-age story, also becomes a story of adventure, social realism, and eventually love. Mary Whipple

'Paradise' contains a number of interesting characters: the good-natured banter between Sikh Harbans Singh (Kalasinga) and Muslim Hamid Suleiman is a real treat, as is the interaction between Yusuf and similarly indentured shopkeeper Khalil. Undoubtedly, the stand-out feature of 'Paradise' is Gurnah's beautiful poetic prose: every aspect of this novel was completely mesmerising from the first word to the last. 'Paradise' succeeds on many levels: as a coming of age story; commentary on slavery and colonialism; tale of travel and adventure in a past world; and story dealing with first-love and friendships. 'Paradise' was short-listed for the Booker back in '94 and richly deserves a continued wide readership. I hope to read more of Gurnah's work, and have bought Gurnah's critically acclaimed 'By the Sea' on the strength of my enchantment with 'Paradise'.