Post-apocalyptic literary scenarios have been a dime a dozen since well before
Mad Max Beyond Thunderdome, and these days it takes something quite remarkable - like Cormack McCarthy's sublime
The Road - to raise even a flicker of interest in this genre from all but the dullest sci-fi fanboy. Octavia Butler's essay on the same theme is now getting on for 20 years old, and stands up well - indeed, it so closely anticipates McCarthy's novel that you have to wonder whether he was aware of it. That is not to suggest plagiarism, however, for the similarities are general indeed: an un-described catastrophe has caused the total breakdown of society and forced a family unit on the road, where they fend for themselves against allcomers in vain hope of a promised land.
While Butler employs a couple of nice devices - the
P.K.Dick-eque hyperempathy condition is a neat literary device - much better in fact than the hokey "Earthseed" concept which gets unwarranted prominence in the story - but Butler doesn't do nearly enough with it to make it worthwhile. In other aspects, the novel is a little flat. There's not a much in the way of a plot arc - it's more linear: things sort of episodically muddle along to a fairly uninvolving conclusion - and nor do the characters get well fleshed out or developed. Like her protagonist Lauren, Butler throws quite a lot of "seed" about which then appears to fall on stony ground: Lauren's father disappears, presumed dead but unresolved - to no effect. Likewise, Lauren's original sweetheart is introduced, developed, and disposed with for no discernible plot-functional reason.
My hunch is that Butler was more interested in developing a quasi-religion than writing a science fiction novel, yet 20 years later, the post-apocalyptic road story is the only part that really holds up. But, all the same, it pales in comparison with Cormack McCarthy's bleaker, more eloquent visualisation, and ultimately I couldn't recommend this novel over, or even really as a complement to, The Road.
Olly Buxton