The Future Sound of London have taken a new direction on Translations and a fantastic diversion it is too, I've had the CD on in my CD player and car stereo since I bought a copy!
12" original - There comes a time when you realise you don't appreciate a song until you hear it out of the blue. Hearing it again took my breath away!
Papsico - Truly a futuristic rendition. The baseline matches the synth fantastically, and the faded vocals add to the mix.
The Lovers - The funk guitar becomes part of the beat, not over the beat, creating a rolling flow interspersed with strings.
Wooden Ships - Filtered vocals and a slowed down version create a truly psychedelic feel to this track. Add the faster beat and great guitar playing over it and vocals slightly in the background - another great creation.
The Great Marmalade Mama in the Sky - In my view, the closest a live version of Papua New Guinea could ever come.
Requiem - My favourite translation. The choral vocal and the piano just meld so well together with light synth in the background. The introduction of a harmonica, and you have a laid back reflection of the new direction.
Things Change Like The Patterns and Shades That Fall From The Sun - organ tones and a light beat with saxophone. Truly an orchestrated work, involving bell tones, guitar, drums, etc. Totally chilled.
The Big Blue - funky, downtempo. Samples refiltered and the saxophone carries over into the big blue with all the psychedelia that was coming through.
The whole album is well ordered, beginning with an electronic masterpiece (12" original), on to an updated version (Papsico), run it through the 70s over two tracks (The Lovers and Wooden Ships), re-introduce an industrial element leftover from dead cities (The Great Marmalade...), and then slow it down, ushering in the new era. A remembrance of the past (Requiem), taking stock of the present (Things Change...), and a vision of the future (The Big Blue).