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Paintwork
 
 

Paintwork [Kindle Edition]

Tim Maughan
4.4 out of 5 stars  See all reviews (5 customer reviews)

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“In an era of “post-cyberpunk” science fiction, Maughan is firmly cyberpunk — or maybe “cyberpunk++,” a genre that captures all the grit and glory of technology with a higher degree of plausibility and respect for real computers and networks than the genre had in its glory days…Maughan has a keen eye for the fictional possibilities of technology, a good hand with the what if/ten seconds in the future mode of storytelling, and he’s quite adept at filling his work with hyper-cool eyeball kicks. These stories are fun and thought-provoking, a great combination.”
- Cory Doctorow, author of Down and Out in the Magic Kingdom and Little Brother

“In our hothouse present, where technology is little more than vapour, Tim Maughan catches those fleeting moments of possibility in stories that ought to have no shelf-life whatsoever – and which, regardless, linger in the mind. I don’t know how he does this. I don’t know whether he is very naive, or very clever. One thing I do know: these stories are very, very good.” – Simon Ings, author of Hot Head, The Weight of Numbers and Dead Water.

“They used to say that Science Fiction was hard to define, but that you’d know it when you saw it. How then to best recommend a collection like Paintwork? A book of augmented realties, icy conceptual surfaces and a healthy dose of contemporary corporate paranoia. Is even a simple book blurb as innocent as it first appears? The best Science Fiction isn’t a road map, it’s a toolkit, and Paintwork is a virtual users guide to a new kind of fictional future. A place where it’s fine to pretend life’s all a game, just so long as you stay on the winning team. If Science Fiction is a toolkit, Paintwork is the missing users manual.” - Tom Hunter, Director, the Arthur C. Clarke Award

“Havana Augmented is the third short story in Tim Maughan’s excellent Paintwork (2011), a collection that focuses on the meaning of artistry in a near-future cyberpunk landscape…(it) follows two streams of conflict. Paul and Kim battle with enormous robots which is, frankly, awesome. Mr. Maughan knows how to write an action sequence without letting it take over. The battles are short, streamlined, vicious and very, very fun…this is the crown jewel of an excellent collection. I’m a sucker for sports movies, especially when the game or match has some sort of Great Significance. Mr. Maughan tugs at my heartstrings with Havana Augmented – a giant robot smackdown with a country’s future on the line.” – Pornokitsch.com

“Hip, cutting-edge cyberpunk with a techno rave attitude. Tim Maughan is definitely a writer to watch.” – Gareth L. Powell, author of The Recollection.

"I loved Paintwork. All three stories show a writer with a real gift for accelerating the world we know into a believable future, with a deft local touch that adds an extra something for us Bristol folk…(it’s) a great read, that pinches a few ingredients from the SF greats and blends them with a unique flavour all of its own.” - Guide2Bristol

Augmented reality street artist 3Cube wants to break into the mainstream, and as one of the best in the graffiti mecca of Bristol he stands a real chance. Except that someone, some unseen rival, seems set on using even the most old-fashioned of methods to stop him from succeeding.

John Smith was successful once, if only for a fleeting moment. Now the documentary film maker is broke and jobless, and finds himself putting his life on the line as one of the new-breed of paparazzi - snapping celebrity video gamers in virtual worlds.

And on the sun-bleached streets of Havana two young Cubans find themselves locked in a fierce struggle with one of the world’s most powerful organisations, as a seemingly innocent video game tournament becomes a fight for both personal and national pride.

Paintwork is a collection of three stories from our imminent future by British science fiction author Tim Maughan, including the 2010 BSFA Short Fiction Award nominated ‘Havana Augmented’.

Product details

  • Format: Kindle Edition
  • File Size: 135 KB
  • Print Length: 108 pages
  • Page Numbers Source ISBN: 1463570465
  • Sold by: Amazon Media EU S.à r.l.
  • Language English
  • ASIN: B0058IY35M
  • Text-to-Speech: Enabled
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: #101,940 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Tim Maughan
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Kindle Edition
Tim Maughan's excellent Paintwork (2011) focuses on the meaning of artistry in a near-future cyberpunk landscape.

The titular story focuses on a subversive graffiti artist, the second on a documentary journalist and the award-nominated third story, "Havana Augmented", tells the tale of a pair of Cuban gamers. Gaming might not seem like artistry, but Paul and Marcus, our protagonists, take it to that magnificent level. Mr. Maughan's Cuba is a proud island, but one crippled by economic sanctions and a dying tourist trade. Marcus is a computer nut - a genius programmer who cobbles together his own games from the fragments of code he can buy through the black market. Paul isn't a computer whiz, but he's a gifted virtual athlete. Marcus builds the games; Paul wins them.

The most popular game in Cuba is Street Iron, a Marcus-hacked version of the popular global mecha game Rolling Iron. Marcus has taken the rather banal foundation and converted it to augmented reality genius. The players zip around the city on motorcycles and wearing VR 'spex'. Their giant robots follow them and battle to the death. Entire robot wars are fought without anyone ever noticing. Marcus' variant soon eclipses the real thing, and, as videos are leaked around the internet, the game's corporate owners are keen to cash in.

"Havana Augmented" follows two streams of conflict. Paul and Kim battle with enormous robots which is, frankly, awesome. Mr. Maughan knows how to write an action sequence without letting it take over. The battles are short, streamlined, vicious and very, very fun. The story's true conflict, however, is within Paul. Initially pleased (and stunned) to be out of the shadows, he's suddenly faced with the full force of Global Corporate Decadence (tm). Paul's a fierce Cuban patriot, but one with open eyes. He sees what Sakura could do for his homeland, but can also sees what Sakura could do to it. I'm a sucker for sports movies, especially when the game or match has some sort of Great Significance. Mr. Maughan tugs at my heartstrings with "Havana Augmented" - a giant robot smackdown with a country's future on the line.

The other two stories aren't shabby. "Paintwork" serves as an excellent introduction to the near-future landscape and introduces the theme of struggling artistic integrity in a corporate-owned world. The protagonist of the second story, journalist John Smith, has probably the darkest tale. He's using his documentary skills to explore the (surprisingly seedy) underworld of the gaming clans, and what begins as an innocent assignment turns into something much more conspiratorial. It is, perhaps, the most didactic and least fun of the three stories, but it does connect nicely with "Havana Augmented".
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1 of 1 people found the following review helpful
Format:Kindle Edition|Amazon Verified Purchase
It's only about 100 pages long but the three stories making up Paintwork slot together to create a world that's more alive and fleshed out than the ones you get in most longer stories. The sparse, brand-name heavy style is recognisable to fans of cyberpunk but by being more direct, less self-consciously staccato than William Gibson, author Tim Maughan's prose are often easier on the eye. His three tales, two set in a near-future Bristol, the last in Cuba, share themes and some characters but can each be read in isolation. I live just down the road in Bath so reading about a VR-enhanced Cabot Circus or Temple Meads Station added fun to an already impressive set of shorts. Here's hoping he's working on a full length novel.
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4 of 5 people found the following review helpful
Format:Kindle Edition|Amazon Verified Purchase
A set of three short novellas set in the not-too distant future, Maughan's debut work gleans much of its literary influence and style from that burning start of science fiction, William Gibson, but has enough punch to suggest that more interesting ideas could be on the way.

The main technological concern of Maughan's world is augmented reality; a technology that is already with us, but is likely to become much more fully integrated with our daily lives very soon, especially with the advent of smartphones. Maughan introduces the idea of AR "specs" in each of the three stories, headset/glasses that provide a differing view of life once worn.

Like Gibson, Maughan adds an international tinge to proceedings, with a faint dollop of dystopia and the neon glow of Sino animation culture never too faraway. The action swings from the cloudy, downtrodden vistas of his native Bristol, the sun-baked streets of Havana where Cuba is still something of a socialist oasis, with 1955 convertibles restored to their former glory and hinting at the rise of Indian and East Asian economies as the powerplayers of the world. His protagonists are neurotic graffiti artists and game players/designers, interacting in a world where social media and the rise of game playing to a sport of almost Olympic standards is seen as the apex of celebrity. As such, this is very much a young man's world, in which loners who spend almost their entire waking lives in this AR alternative reality, seek to gain some sort of acceptance, respect or recognition for their often clandestine efforts. Whether it be the site of a crazy art piece sprawling over Bristol or the destruction of an AR "iron mech" in a urban AR game, this is a world of individuals and shadowy, omniscient organisations.

The best SF writers provide some sort of social backdrop and causation/effect to new technology and it's here that Maughan's pieces fade a little - in particular with the first piece "Paintwork" we are treated to a vision of a Bristol laced with grime, dirt and much more beside, yet his protagonist 3Cube seems curiously detached from it, with Maughan preferring stylisation over more cerebral and emotional content. We rarely get to see much in terms of what drives his characters. There's a snappy feel to his character's dialogue, although as above we rarely get to read much more than what they are really concerned with immediately - interacting with technology and immersing themselves in a virtual world.

To his credit though, Maughan's stories are punchy enough within their short time span to rise above such criticisms. They're also well constructed, with the endings happening in a succinct and timely manner. The best of the three is "Paparazzi", with an intriguingly designed premise based on following a global celebrity player "in game" to capture sensitive information for a rival "guild". The idea of games reaching a size where people get enveloped in them professionally is not too far off and Maughan's description and story is helped no doubt by his background as a games developer. Each story has an intriguing view of the future that he delivers with a zippy panache.

At the princely sum of just over £2 for a Kindle edition, this is an appetising bite of what he is capable of, although I do feel that the leap to a bigger story may need a lot more work.
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They were companions only due to some seemingly outmoded geographical and economic meatspace necessity, and they all understood it, ever aware that however close they may become to one another, all their true friendships and allegiances lay elsewhere. &quote;
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It was the inevitable consequence of living solely with people who had decided to dedicate their lives and careers to the virtual. &quote;
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