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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Cyberpunk & Artistry,
By
This review is from: Paintwork (Kindle Edition)
Tim Maughan's excellent Paintwork (2011) focuses on the meaning of artistry in a near-future cyberpunk landscape.The titular story focuses on a subversive graffiti artist, the second on a documentary journalist and the award-nominated third story, "Havana Augmented", tells the tale of a pair of Cuban gamers. Gaming might not seem like artistry, but Paul and Marcus, our protagonists, take it to that magnificent level. Mr. Maughan's Cuba is a proud island, but one crippled by economic sanctions and a dying tourist trade. Marcus is a computer nut - a genius programmer who cobbles together his own games from the fragments of code he can buy through the black market. Paul isn't a computer whiz, but he's a gifted virtual athlete. Marcus builds the games; Paul wins them. The most popular game in Cuba is Street Iron, a Marcus-hacked version of the popular global mecha game Rolling Iron. Marcus has taken the rather banal foundation and converted it to augmented reality genius. The players zip around the city on motorcycles and wearing VR 'spex'. Their giant robots follow them and battle to the death. Entire robot wars are fought without anyone ever noticing. Marcus' variant soon eclipses the real thing, and, as videos are leaked around the internet, the game's corporate owners are keen to cash in. "Havana Augmented" follows two streams of conflict. Paul and Kim battle with enormous robots which is, frankly, awesome. Mr. Maughan knows how to write an action sequence without letting it take over. The battles are short, streamlined, vicious and very, very fun. The story's true conflict, however, is within Paul. Initially pleased (and stunned) to be out of the shadows, he's suddenly faced with the full force of Global Corporate Decadence (tm). Paul's a fierce Cuban patriot, but one with open eyes. He sees what Sakura could do for his homeland, but can also sees what Sakura could do to it. I'm a sucker for sports movies, especially when the game or match has some sort of Great Significance. Mr. Maughan tugs at my heartstrings with "Havana Augmented" - a giant robot smackdown with a country's future on the line. The other two stories aren't shabby. "Paintwork" serves as an excellent introduction to the near-future landscape and introduces the theme of struggling artistic integrity in a corporate-owned world. The protagonist of the second story, journalist John Smith, has probably the darkest tale. He's using his documentary skills to explore the (surprisingly seedy) underworld of the gaming clans, and what begins as an innocent assignment turns into something much more conspiratorial. It is, perhaps, the most didactic and least fun of the three stories, but it does connect nicely with "Havana Augmented".
3 of 4 people found the following review helpful:
5.0 out of 5 stars
Gripping near-future sci-fi.,
This review is from: Paintwork (Kindle Edition)
Paintwork is a collection of three novellas exploring themes around augmented reality and set in a noir-scape world that might be only a few years in the future.The author has a clean style of writing; the reader doesn't need AR glasses to see the imagery that he creates. I particularly enjoyed 'Havana Augmented' which explores the future of AR gaming. It was previously published in an SF magazine and rightly deserved its 2010 BSFA award nomination. I look forward to reading more work from this new writer.
3 of 5 people found the following review helpful:
3.0 out of 5 stars
Interesting potential hinted at.,
By Toby Frith (Tunbridge Wells) - See all my reviews
This review is from: Paintwork (Kindle Edition)
A set of three short novellas set in the not-too distant future, Maughan's debut work gleans much of its literary influence and style from that burning start of science fiction, William Gibson, but has enough punch to suggest that more interesting ideas could be on the way.The main technological concern of Maughan's world is augmented reality; a technology that is already with us, but is likely to become much more fully integrated with our daily lives very soon, especially with the advent of smartphones. Maughan introduces the idea of AR "specs" in each of the three stories, headset/glasses that provide a differing view of life once worn. Like Gibson, Maughan adds an international tinge to proceedings, with a faint dollop of dystopia and the neon glow of Sino animation culture never too faraway. The action swings from the cloudy, downtrodden vistas of his native Bristol, the sun-baked streets of Havana where Cuba is still something of a socialist oasis, with 1955 convertibles restored to their former glory and hinting at the rise of Indian and East Asian economies as the powerplayers of the world. His protagonists are neurotic graffiti artists and game players/designers, interacting in a world where social media and the rise of game playing to a sport of almost Olympic standards is seen as the apex of celebrity. As such, this is very much a young man's world, in which loners who spend almost their entire waking lives in this AR alternative reality, seek to gain some sort of acceptance, respect or recognition for their often clandestine efforts. Whether it be the site of a crazy art piece sprawling over Bristol or the destruction of an AR "iron mech" in a urban AR game, this is a world of individuals and shadowy, omniscient organisations. The best SF writers provide some sort of social backdrop and causation/effect to new technology and it's here that Maughan's pieces fade a little - in particular with the first piece "Paintwork" we are treated to a vision of a Bristol laced with grime, dirt and much more beside, yet his protagonist 3Cube seems curiously detached from it, with Maughan preferring stylisation over more cerebral and emotional content. We rarely get to see much in terms of what drives his characters. There's a snappy feel to his character's dialogue, although as above we rarely get to read much more than what they are really concerned with immediately - interacting with technology and immersing themselves in a virtual world. To his credit though, Maughan's stories are punchy enough within their short time span to rise above such criticisms. They're also well constructed, with the endings happening in a succinct and timely manner. The best of the three is "Paparazzi", with an intriguingly designed premise based on following a global celebrity player "in game" to capture sensitive information for a rival "guild". The idea of games reaching a size where people get enveloped in them professionally is not too far off and Maughan's description and story is helped no doubt by his background as a games developer. Each story has an intriguing view of the future that he delivers with a zippy panache. At the princely sum of just over £2 for a Kindle edition, this is an appetising bite of what he is capable of, although I do feel that the leap to a bigger story may need a lot more work.
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