Product Description
Paul Gauguin was a leading French Post-Impressionist artist and an important figure in the Symbolist movement. While he was rather poor and struggling during his career as an artist (he was a stock broker before), his famous paintings are fetching tens of millions of dollars at auctions in New York and London today.
This book includes nearly 300 paintings on 200 plates (many from private collections not normally available to public view), a detailed biography, a eulogy by Charles Morice (1903), excerpts from Gauguin’s fascinating book “Noa Noa,” and is a rather large collection in one compendium, covering the prolific painter’s and artist's most dramatic and expressive 'impressionist' period from 1887 to his death in 1903. The places of creation were Martinique in the Caribbean; an artist-village in Brittany (Pont-Aven); and Tahiti and the Marquesas Islands in French Polynesia.
In a somber, slightly hoarse voice, Gauguin said:
“Primitive art comes from the spirit and uses nature. So-called refined art comes from sensuality and serves nature. Nature is the servant of the first and the mistress of the second. But the servant cannot forget her origins, she degrades the artist by allowing him to adore her. This is how we fall into the abominable error of Naturalism. Naturalism begins with the Greece of Pericles. Since then, there have been no more or less great artists except those who have somehow reacted against this error; but their reactions have been no more than leaps of memory, glimmers of good sense within a movement of decadence, in the end, uninterrupted for centuries. Truth is purely cerebral art, this is primitive art—the most learned of all—this was Egypt. There is the principle. In our present misery, there can be no salvation without a rational and sincere return to the principle. And this return is the necessary action of Symbolism in poetry and art…”
This book includes nearly 300 paintings on 200 plates (many from private collections not normally available to public view), a detailed biography, a eulogy by Charles Morice (1903), excerpts from Gauguin’s fascinating book “Noa Noa,” and is a rather large collection in one compendium, covering the prolific painter’s and artist's most dramatic and expressive 'impressionist' period from 1887 to his death in 1903. The places of creation were Martinique in the Caribbean; an artist-village in Brittany (Pont-Aven); and Tahiti and the Marquesas Islands in French Polynesia.
In a somber, slightly hoarse voice, Gauguin said:
“Primitive art comes from the spirit and uses nature. So-called refined art comes from sensuality and serves nature. Nature is the servant of the first and the mistress of the second. But the servant cannot forget her origins, she degrades the artist by allowing him to adore her. This is how we fall into the abominable error of Naturalism. Naturalism begins with the Greece of Pericles. Since then, there have been no more or less great artists except those who have somehow reacted against this error; but their reactions have been no more than leaps of memory, glimmers of good sense within a movement of decadence, in the end, uninterrupted for centuries. Truth is purely cerebral art, this is primitive art—the most learned of all—this was Egypt. There is the principle. In our present misery, there can be no salvation without a rational and sincere return to the principle. And this return is the necessary action of Symbolism in poetry and art…”
