- Hardcover: 358 pages
- Publisher: MIT Press (20 Mar 1991)
- Language English
- ISBN-10: 0262023067
- ISBN-13: 978-0262023061
- Product Dimensions: 8.2 x 3.6 x 2.7 cm
- Amazon Bestsellers Rank: 2,852,043 in Books (See Top 100 in Books)
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Review
"A remarkable book, an excellent and innovative example of bow the major experiences of modern painting, from Matisse and Picasso to Mondrian, Newman, or Ryman require a specific use of theory to be correctly interpreted. A genuinely original contribution, in both style and approach, to a 'new history' of art which reconciles critical theory to historical research." Louis Marin, Ecole des Hautes Etudes en Sciences Sociales, Paris
--This text refers to the
Paperback
edition.
Product Description
Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.Yve-Alain Bois was a founder of the French journal Macula and a Fellow at the Centre National de la Recherche Scientifique, Paris. He is currently Professor of the History of Art at Harvard University.
--This text refers to the
Paperback
edition.
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