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Painting With Light Paperback – 5 Mar 2013


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Product details

  • Paperback: 200 pages
  • Publisher: University of California Press (5 Mar. 2013)
  • Language: English
  • ISBN-10: 0520275845
  • ISBN-13: 978-0520275843
  • Product Dimensions: 19 x 1.3 x 25.4 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 177,567 in Books (See Top 100 in Books)
  • See Complete Table of Contents

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Review

"Provides fascinating insights into the mechanisms of the studio system." -- Ian Gilchrist Reel Ink 20130603

About the Author

John Alton (1901-1996) was a Hungarian-born master cinematographer. His work ranged widely, including sharp-shadowed film noir classics such as He Walked By Night, Anthony Mann westerns, musicals (including An American in Paris, for which he won an Oscar), and many others. Painting with Light embodies his versatile, beautiful, often mannered, approach to lighting a film; he insisted that naturalistic lighting was only one option among many, and that directors ought to use light creatively to suit their vision and their story. Todd McCarthy is chief film critic of Variety, co-editor of The King of Bs (1975), and writer and co-director of the award-winning documentary Visions of Light: The Art of Cinematography (1992). John Bailey is an award-winning cinematographer and blogger for the American Society of Cinematographers who has written many articles and think-pieces on the transition from celluloid to digital film making. John Bailey, a director of photography since 1978, has photographed more than 75 feature films and documentaries. He serves on the Boards of Governors of the ASC, the Academy of Motion Picture Arts and Sciences, and the National Film Preservation Board.

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There is hardly another place where there are as many directors as in a motion picture studio in Geniucity, Hollywood. Read the first page
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Customer Reviews

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Most Helpful Customer Reviews

20 of 20 people found the following review helpful By Sydney on 25 May 2004
Format: Paperback Verified Purchase
Although the technical end is obviously about fifty years out of date, this is still a rewarding read for anyone interested in film lighting. For one thing, you'll never look at a film from the 30's and 40's again without the satisfying feeling of being able to recognize a clothing light in action. On a practical level, it's still got a lot of tips worth thinking about for the amateur or even professional filmmaker. The simpicity of the equipment might even be a bonus for those just learning, or shooting on a limited budget. Certainly I've never seen a technical lighting book this clear, practical, and real-world.
My favorite thing about this book though is the extra chapter on Lighting for Ladies. Now this is a guy who LOVES light and is out to do his bit to beautify the world. So naturally, he includes an appendix on how any women who happen to be reading, can use Hollywood lighting tricks to enhance their appearance. I swear I'm this close to rearranging my office so that the daylight can hit me just so... although I don't know if I'm ready to go around my flat with a mirror before a date, so I can figure out the optimal place to sit on the sofa!
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11 of 11 people found the following review helpful By A Customer on 14 Dec. 1997
Format: Paperback
I have had a photocopy of a photocopy of this book for about seven years, so I was understandably extatic to learn of the recent reissuing of this long out of print and much sought-after title. For decades, critics have discussed Film Noir as the apex of American film in terms of style as well as content. And Academy Award winner John Alton has long been hailed as perhaps the most important cinematographer of his era. Such was his passion for the art and craft of cinematography that he wrote a book on the subject at a time when such books just were not being written. Painting With Light has great verve and wit, and serves as a very practical how-to exploration of cinema- tography as it existed at the time. But, as such, it is now also a fascinating slice of movie history. In the end, however, I believe it is most valuable as a tool to help the modern cinema- tographer rediscover the texture and mystery brought to the screen in an era when films pulled you in instead of trying to leap out at you. The book co
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4 of 4 people found the following review helpful By Showmaster on 4 Oct. 2009
Format: Paperback Verified Purchase
I have given this book to more than a few young people who have had an interest in theatre lighting when they entered higher education over the past fifteen years. It is a seminal work with a simplistic approach to what actually works in creative lighting. Alton, though a film noir specialist, gained his Oscar for the dance sequences in American in Paris, the only time two Oscars were ever awarded for film lighting ... even more amazing is that they were given to the same film!
The technology may have moved on so far it is astounding BUT his principles are as valid today as in 1949. Some of the effects and techniques are lo-tech but the results are still brilliant in modern film. The innovative work he did is used as a foundation for films such as Blade Runner, Girl With A Pearl Earring etc and his tricks-of-the-trade are still appropriate today.
For anyone interested in technical theatre, cinematography or even fine-art appreciation in general this book will be a reference resource which will last another 60 years.
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5 of 5 people found the following review helpful By A Customer on 6 Nov. 1996
Format: Hardcover
Oscar winning Alton wrote this book years ago, but it still rules among the most interesting books about film lighting, filmmaking, and the perpetual wonders and mysteries of Light. A must, really. Alton's writing is clear, clever and funny.
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