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Product Description
By 1918, St Ives had a long tradition as an artists' community. It took as its standard the Royal Academy, which retained great popular appeal, but was neither forward-looking nor progressive. In 1920, it became the permanent home of one of the great innovators of the twentieth century, the potter Bernard Leach. At the outbreak of the Second World War it provided shelter for a small group of the most progressive painters and sculptors, including notably Ben Nicholson and Barbara Hepworth, already leaders in the advanced art movements of the 1930s, and committed to the principle of abstraction. In the 1940s and 1950s a remarkable group of younger artists came together in and around St Ives, making it a centre of avant-garde art activity. This book is concerned with those artistic events, especially during the years 1939-75, and the larger circumstances in the world of art by which they were affected, or which were affected by them. It describes the singular contribution of 'St Ives' to the art of our time.
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About the Author
Tom Cross trained at the Slade School in London and then spent two years travelling and painting in Italy and France on Rome and French government scholarships. On his return he worked in Wales as Assistant Director of the Welsh Arts Council and later became Senior Lecturer in Painting at Reading University. In 1976 he became Principal of the Falmouth School of Art, a post which he held until 1987.
--This text refers to the
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16 of 18 people found the following review helpful
Format:Paperback
This book is a'must' for anyone interested in C20th British painting.From early Newlyn paintings and Alfred Wallis, it traces the growth of the movement through Ben Nicholson,Barbara Hepworth,Naum Gabo,John Wells,Peter Lanyon,Terry Frost etc, to the post war International influences.The work of Patrick Heron ,Alan Davie and Paul Feiler are also featured, along with many others.From cover to cover,full of information and a good read.
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