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'"Repent, Harlequin" said the Tick Tock Man' is a story every bit as good as it's title - and I think that the title is a real peach. In about 3000 words he describes a dystopia where society is ruthlessly regimented by the clock. If you are five minutes late for an appointment, you lose five minutes off your life. The Tick Tock Man (or the Master Timekeeper, to call him by his official title) rules with a ruthless efficiency, and relentlessly tracks down the Harlequin, the ultimate non-conformist who refuses to be on time and who ingeniously disrupts the smooth running of this soulless society. If you have read 1984, you will know what happens- but there is a lovely twist at the end, which I won't spoil by giving away. The story may sound daft but it works and works beautifully. His imagination is unique. His aim is true. In Paingod, another classic, he tries to explain why there is so much pain in the world and why it is so necessary. There are other glories here: 'The Discarded', 'The Crackpots' and 'Deeper Than Darkness.' All worth your perusal. Each story is preceded by a short introduction that is as readable, entertaining and lively as the stories.
Ellison is a wonderful writer who doesn't deserve the neglect that has befallen him. Buy this book and maybe -yes, just maybe! - it will encourage some enterprising publisher to reprint such essential collections as Strange Wine, Deathbird Stories, Alone Against Tomorrow, and Approaching Oblivion. Why Ellison isn't one of the most popular men of American letters utterly baffles me. He is as good as the best and better than most.
'"Repent, Harlequin" said the Tick Tock Man' is a story every bit as good as it's title - and I think that the title is a real peach. In about 3000 words he describes a dystopia where society is ruthlessly regimented by the clock. If you are five minutes late for an appointment, you lose five minutes off your life. The Tick Tock Man (or the Master Timekeeper, to call him by his official title) rules with a ruthless efficiency, and relentlessly tracks down the Harlequin, the ultimate non-conformist who refuses to be on time and who ingeniously disrupts the smooth running of this soulless society. If you have read 1984, you will know what happens- but there is a lovely twist at the end, which I won't spoil by giving away. The story may sound daft but it works and works beautifully. His imagination is unique. His aim is true. In Paingod, another classic, he tries to explain why there is so much pain in the world and why it is so necessary. There are other glories here: 'The Discarded', 'The Crackpots' and 'Deeper Than Darkness.' All worth your perusal. Each story is preceded by a short introduction that is as readable, entertaining and lively as the stories.
Ellison is a wonderful writer who doesn't deserve the neglect that has befallen him. Buy this book and maybe -yes, just maybe! - it will encourage some enterprising publisher to reprint such essential collections as Strange Wine, Deathbird Stories, Alone Against Tomorrow, and Approaching Oblivion. Why Ellison isn't one of the most popular men of American letters utterly baffles me. He is as good as the best and better than most.
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