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The Pages
 
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The Pages (Hardcover)

by Murray Bail (Author)
4.0 out of 5 stars  See all reviews (1 customer review)
RRP: £14.99
Price: £12.74 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Hardcover: 224 pages
  • Publisher: Harvill Secker (14 Aug 2008)
  • Language English
  • ISBN-10: 1846552168
  • ISBN-13: 978-1846552168
  • Product Dimensions: 21.8 x 14.4 x 2.6 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 325,791 in Books (See Bestsellers in Books)

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Product Description

Review

`the novel's pleasures ... mostly reside in its formal arrangement and Bail's brilliantly distilled, and witty (if chilly) prose'


Review

`oddly compelling ... The spell is most powerfully cast in the brilliant quiet skill of the writing'
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The Pages
88% buy the item featured on this page:
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4.0 out of 5 stars (1 customer review)
 
 
 
 
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4.0 out of 5 stars "Life is the intruder on thought...", 28 Sep 2009
By Friederike Knabe (Ottawa, Ontario Canada) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
This review is from: The Pages (Paperback)
At the time of his death, Wesley Antill, son of a wealthy sheep farmer and self-declared philosopher, had left his rambling thoughts in big heaps of scattered, handwritten notes all over his shed-study. His siblings, Lindsey and Roger, having looked after the farm while intellectual Wesley pondered life and philosophy, are tasked with publishing his work. To assess the value and validity of Wesley's notes as having the makings of a "philosophy" Erica Hazlehurst, herself an established philosopher from Sydney, arrives with her psychoanalyst friend Sophie in the remote Australian Outback. Two city women in the wilds - the challenges start there. Ten years after the award winning Eucalyptus (Panther), Bail's new novel has been greatly anticipated. The least one can say that this slim volume provided much encouragement for reflection on the meaning of "thought", "self", "philosophy", and some lighter, humorous fare as "life intrudes".

Bail tells the story from two related perspectives alternating throughout the narrative. First, Erica's exposure to Wesley's writing, but more poignantly, to the Antills and their enormously different life from one that she is familiar with and, even more important, and to the power of the bare and empty countryside. These aspects are beautifully evoked by the author. Interleaved are Wesley's unstructured accounts and musings of his version of a modern Wilhelm Meister's Apprenticeship: first in Sydney, then in England and Europe. Some pages of writing contain only a few sentences or words, pinned on a line across the room... are these to be interpreted as element of his philosophy? Erica - and the reader - struggles to piece anything coherent together. "It will take months" to work through the wealth of material. Without doubt, the author enjoys toying with the reader's creative imagination. Intriguing thought elements hint at deeper analysis, if Erica could only find those bits of paper, leaving more questions than providing answers. For example, why the Australian landscape and climate are not conducive to philosophical thought?..

The beauty of Australian landscapes, in particular the dry and sparse surroundings of the sheep farm, are exquisitely conveyed. Bail is well known for his talent in this regard and for his ability to create atmospheres that reflect the intense impact the landscape can have on people living in it or suddenly exposed to it. The relationships between the four protagonists, on the other hand, while well set up initially, drawing the reader into a range of complexities, are not fully realized and leave the reader hoping for more exploration. Erica with her own reflections on philosophy and changing perspectives make her the more interesting character. While Bail has been counted among the post-modernist authors, the novel could have benefited for more detail and depth. All in all not a fully satisfying reading experience. [Friederike Knabe]
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