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This dark and quiet thriller is about Maximilian Cohen, a brilliant mathematician who believes that everything in life revolves around patterns and numbers. For years he has been trying to find this pattern that could unlock everything we see and know. He starts with the stock market, the ultimate system of ordered chaos. The deeper he digs, the more insane he becomes. And the more he finds out, the more danger he is thrown into. The pattern itself proves to be just as deadly as the people who are after him. The twists and complexity will leave you in awe.
While this movie may be confusing at times, it still does its job and keeps us intrigued throughout the duration of the film. The acting and writing is really remarkable. Sean Gullette is very convincing as Max. I don't think there is anybody else who could've gotten the job done. Everybody else was also great in it as well. The film is also a debut from Darren Aronofsky; and a powerful one at that. Very well written and directed. Some of the camera techniques are really great and allow you to get inside of the main character's head.
"Pi" is a movie that requires you to think throughout the film and after. It's a film that will mostly appeal to those who like quiet and unique thrillers. There's no non-stop shootings or explosions in this movie. And it's not a film that everyone is going to like. However, seeing that the movie is only 85 minutes long, why not give it a shot? If you want something new and different, "Pi" is the film for you.
... Read more ›Helped by a literate and well-researched script, co-written by the director and Eric Watson, as well as a strong and highly-developed central performance from Gullete, Aronofsky has built a claustrophobic, visually intense and innovative thriller. Shot entirely in grainy black and white and reminiscent of David Lynch's own halucinogenic debut feature `Eraserhead', as well as the films of Kubrick and Hitchcock, elements of this film have already had an influence on several directors, most notably Christopher Nolan. Superbly confident for such a young director, Aronofsky is not afraid to repeat himself and uses several recurring visual and aural motifs and segments of film in the manner of a great composer to enhance the insanity of the experience. Every frame is packed with stark imagery and an unmistakable ambience and his use of the camera and of sound to draw the viewer into the mind of Cohen is brilliant.
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