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PHANTASMAGORIA [Audio Cassette]

Curved Air Audio Cassette
3.1 out of 5 stars  See all reviews (10 customer reviews)

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Product details

  • Audio Cassette
  • Label: WARNER BROS.
  • ASIN: B003FI0LE4
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 3.1 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 1,695,780 in Music (See Top 100 in Music)

Product Description

AUDIO CASSETTE TRACKS ARE: 1. Marie Antoinette 2. Melinda (More Or Less) 3. Not Quite The Same 4. Cheetah 5. Ultra-Vivaldi 6. Phantasmagoria 7. Whose Shoulder Are You Looking Over Anyway 8. Over And Above 9. Once A Ghost Always A Ghost

Customer Reviews

Most Helpful Customer Reviews
9 of 9 people found the following review helpful
By A Customer
Format:Audio CD
Curved Airs third album was recorded whilst the band was undergoing internal upheavals that finally led the the bands split. Having said that there are many "stand out tracks" that have become the bands standards. These songs are still being played at Curved air gigs. Marie A, Melinda and Phant, Over and above are all great songs. The Albums second side gets a little lost as Francis Monkman takes over the album that wends its way away getting a little lost. Still a good record.
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16 of 17 people found the following review helpful
3.0 out of 5 stars A most curious mixture of everything 29 Aug 2005
Format:Audio CD
Curved Air's difficult third album, mostly recorded at Air Studios, divides and unites fans in equal measure. The reviewers so far have pretty accurately highlighted its strengths and weaknesses. Always, and I mean always, the contribution of newcomer Mike Wedgwood and drummer Florian Pilkington-Miksa is underestimated: Mike's dextrous bass and immaculate vocal harmonies, with Florian's sparse and beautifully accurate drumming, are about the only consistency in the whole record.

Sonja Kristina's two main songs, Marie Antoinette and Melinda More or Less, are both good, the former being more like the "old" Curved Air, the latter really being a "folk" song that she could carry off well with just an acoustic guitar (which she plays very well indeed, by the way) if needs be. "Never quite the same", a curiously tastless song about masturbation, has a lovely orchestral introduction but is uninteresting after that (apart from Wedgwood's running bass) and "Once a Ghost" is really just a filler. Francis Monkman's long piece that takes up a lot of side two is musically complex and very well played (fantastic drummimg from the consistent Florian Pilkington Miksa) - but, again, is it interesting enough? Darryl Way's violin piece "Cheetah" is quite stirring but is, again, not hugely interesting. The "Ultra Vivaldi" sequenced piece could either be mantra-like attractive or maddening. Most find it maddening.

Nobody for a second questions the musical ability of these people and if they appeared nowadays it would be like the Second Coming. But on this album they seemed to struggle too hard to break new ground and to inject a jazz/classical paste into a mould that would not readily take it.There was also too much fiddling with electronic toys and Vocoder precursors. It's boring.
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28 of 32 people found the following review helpful
5.0 out of 5 stars Progressive, jazzy & breathtaking... 22 May 2002
Format:Audio CD
Curved Air's third album, "Phantasmagoria" was released in April, 1972 and immediately reached the Top 20 in the British album charts. The band had added a new member, bassist Mike Wedgwood, earlier in the year. An outstanding player and vocalist, his impact on the band was immediate, as he took Francis and Darryl's intricately scored bass parts and made them his own.
Following a telling pattern established on the "Second Album," "Phantasmagoria" is divided between Darryl Way/Sonja Kristina compositions on side one and those of Francis Monkman on side two. Less than three years into their recording career, differences in musical direction were beginning to seriously fragment the band. Yet this album was their strongest unified musical statement to date.
"Marie Antoinette," one of the band's best-loved songs, leads off side one of the original long- player. A stunning tale of greed and bloodthirsty revenge during the French Revolution, the track became an instant live favorite.
"Melinda (More or Less)" is a lovely, melancholy ballad featuring Sonja's acoustic guitar work. A solo composition, it was written for an acquaintance from her college days, who was caught in a vicious circle of methadrine and mandrax.
Darryl and Sonja's "Not Quite the Same" is a witty, slightly sordid tale of two wankers finding each other, set to a 6/8 beat. It's absolutely hysterical.
The instrumental "Cheetah" is perhaps Darryl's finest moment on the album. It explodes with an impossibly fast violin phrase, which seques into a rather ominous display of nearly atonal minor-key virtuosity. And of course, Doris the Cheetah growls the final note.
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4.0 out of 5 stars Their Best Album? 27 May 2014
By Mr. Peter Steward TOP 1000 REVIEWER
Format:Audio CD
Curved Air return to familiar territory on the band's best album. After the Second Album they returned to the feel and sensibilities of Air Conditioning and managed to improve on it.

The material here is universally strong from the opening take on history in the melodic "chanting revolution" chorus of "Marie Antoinette" through the beauty of the ballad "Melinda (More of Less)" - one of the best songs written by the group.
We are back in familiar territory with the likes of the instrumental "Cheetah" and the extraordinary "Ultra Vivaldi" which I can remember astonishing me in the 1970s, not just for the virtuoso work but also for the way the piece shoots from one speaker to the next - completely mad if you are listening on headphones. The title track is firmly from the prog rock catalogue. There is also plenty of experimentation with sound as well. Overall it's a very balanced and effective album.
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3.0 out of 5 stars Only for the faithful 16 May 2014
Format:Audio CD|Verified Purchase
Disappointing effort considering the way Curved Air came onto the scene in 1969 with two strong albums. The band split is evident here, its almost two different bands on each side. Only the opening two tracks-Marie Anoinette and Melinda More Or Less would prove to stand the test of time, with Monkman's ramblings on side two best forgotten.
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