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Did I need another six recordings? And how to explain in words that the answer was affirmative?
Mahler said music begins where language leaves off, and how right he was. The famous description - Gil Shaham's not Part's - about understanding Fratres for the first time when he was driving through the desert at night, exactly captures this music's total removal from a world of noise and light.
It is indeed something primal, but never sinister.
The six variations in instrumentation are like the differing views of the same mountain, seen at different times of day (or night) and adding to the totality of the experience of this haunting music.
You do actually get three other works - Cantus in Memory of Benjamin Britten, Summa, and Festina Lente. They, too, are unmissable.
Do not hesitate!
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