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Most Helpful Customer Reviews
8 of 8 people found the following review helpful
Format:Paperback
Donald Richie's critical work about Ozu is without doubt one of the finest film/director books on the market. There is not one aspect of Ozu's works that is neglected as the author examines, style, technique, narrative, auteurism and editing. You definately get the sense that this work is a labour of love. On the downside, I felt that on occasions, Richie could have been a little more objective, but this does not detract from the fact that this is a stunning book, about a stunning director.
Most Helpful Customer Reviews on Amazon.com (beta)
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4 reviews
15 of 15 people found the following review helpful
Of three-legged girlfriends
16 Feb 2008
Format:Paperback
Well there doesn't seem to be much info about this book here so for those of you who are wondering what s going on, I'll list the table of contents.
1 - Introduction
18 - Script
105 - Shooting
159 - Editing
186 - Conclusion
193 - Bibliographical filmography (to 253)
Those of you who are familiar with Richie's other stuff such as the Inland Sea will be happy to hear that in this book he combines his critical and writing gifts with a fairly pragmatic approach to his task.
Don't be overly wary of ramblings about transcendental this and that - certainly such notions do rear up but only in the context of technical discussion - e.g. in a discussion of the cut away shots to the vase at a crucial moment in Late Spring. Which isn't to say that Richie doesn't consider the social & moral aspects of Ozu's work at some length. This is obviously necessary for such a morally concerned artist as Ozu, and such topics highlight Richie's greatest strengths as a writer.
This book includes numerous excerpts and stills from production materials, shot sequences etc, which are mostly interesting and relevant; in fact if I had a criticism, I wouldn't mind a few more explicit examples (and counter examples from the work of other directors) especially in the discussion of composition. The Biographical Filmography section briefly covers all his films, mixed in with a fairly straightforward biography. Also recommended on the biographical front would be the docos included on the Criterion DVDs. Especially, "I lived, but..." which comes with the 2DVD Tokyo Story set .
In other words, for the English speaking reader, it would be hard to imagine a better match between subject and author. Highly recommended for any Ozu fans.
The back cover shows a youthful, exuberant Richie animatedly chatting with Ozu during the filming of Late Autumn in 1960. Ozu sits quietly, holding a cigarette...
1 - Introduction
18 - Script
105 - Shooting
159 - Editing
186 - Conclusion
193 - Bibliographical filmography (to 253)
Those of you who are familiar with Richie's other stuff such as the Inland Sea will be happy to hear that in this book he combines his critical and writing gifts with a fairly pragmatic approach to his task.
Don't be overly wary of ramblings about transcendental this and that - certainly such notions do rear up but only in the context of technical discussion - e.g. in a discussion of the cut away shots to the vase at a crucial moment in Late Spring. Which isn't to say that Richie doesn't consider the social & moral aspects of Ozu's work at some length. This is obviously necessary for such a morally concerned artist as Ozu, and such topics highlight Richie's greatest strengths as a writer.
This book includes numerous excerpts and stills from production materials, shot sequences etc, which are mostly interesting and relevant; in fact if I had a criticism, I wouldn't mind a few more explicit examples (and counter examples from the work of other directors) especially in the discussion of composition. The Biographical Filmography section briefly covers all his films, mixed in with a fairly straightforward biography. Also recommended on the biographical front would be the docos included on the Criterion DVDs. Especially, "I lived, but..." which comes with the 2DVD Tokyo Story set .
In other words, for the English speaking reader, it would be hard to imagine a better match between subject and author. Highly recommended for any Ozu fans.
The back cover shows a youthful, exuberant Richie animatedly chatting with Ozu during the filming of Late Autumn in 1960. Ozu sits quietly, holding a cigarette...
5 of 5 people found the following review helpful
Excellent Book
1 July 2009
Format:Paperback
Richie is perhaps the foremost authority on Japanese film, and I'm always impressed with how he tempers his expansive enthusiasm with remarkably insightful criticism; he's very willing to acknowledge the weaknesses as well as the strengths within a director's work. This book has a very good layout/approach to digging into Ozu's body of work and is very readable, and Richie continues to offer great insights into this director.
28 of 37 people found the following review helpful
orientialism?
24 Feb 2000
Format:Paperback
I saw this book (chinese edition)several years ago when I was almost 35 years old. It really shocked me!The author is so remarkable in understanding and interpreating the family in OZU films which is so real and convincing.Following the Mr.D. Richie, I, as a chinese, began to try to undersatnd the root of chinese family through a series of the OZU's films. I agree with author that the transcentalism for traditional Japanese and Chinese which the author express in the final charpter lies in the "everyday life world"and that I believe is quite different from western transcentalistic approach.This book is excellent....
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