Product details
|
The heightened reality of Oz remains consistently engrossing in the fourth season of HBO's volatile prison drama. All 16 episodes were written or co-written by series creator Tom Fontana and are bookended by the wisely sardonic observations of paraplegic prisoner Augustus Hill (Harold Perrineau), whose terse, philosophical ruminations about life in "Oz" give the series its literate edge.
The 2000-2001 season finds Oz in the wake of racial warfare. Tensions remain high among the factions that make the "Em City" cell block a hotbed of seething animosity among the skinhead Aryans led by Shillinger (J.K. Simmons); Muslim splinter groups led by Kareem Said (Eamonn Walker); the fearsome Adebisi (Adewale Akinnuoye-Agbaje) and Supreme Allah (Lord Jamar) and the resident Mafia, Latinos, and lowlifes who make up Em City's embroiled population of newcomers, hard-timers, and death-row inmates. Unit Administrator McManus (Terry Kinney) sets up a centrally located penalty cage for anyone who causes outbreaks of violence (which are shockingly frequent and frequently lethal), but loses his job in a mid-season plot development that spins Oz into a maelstrom of internal politics and brutal retaliation.
Through it all, Fontana and his collaborators (including guest director Steve Buscemi) maintain impressive focus on dozens of finely drawn characters. Laced with homosexual tension, jealousies, religious fervor and threats of betrayal, the season's most compelling conflicts involve impulsive killer Ryan O'Reily (played with cagey menace by Dean Winters) and his brain-damaged half-brother Cyril (Scott William Winters) and the manipulative Keller (Christopher Meloni) and his prison lover Toby Beecher (Lee Tergesen) - a lawyer and convicted murderer whose survival seems perpetually uncertain. Tenuous order is barely maintained by warden Glynn (Ernie Hudson) and Catholic counselor "Sister Pete" (Rita Moreno), but the bulk of Oz's fourth season is devoted to chaos, as shifting loyalties keep all prisoners (and all viewers) in a state of anxious anticipation. The criminal histories of many inmates are shown in flashback, and one death-row scenario (involving guest star Kathryn Erbe) reaches its inevitable conclusion. By the time episode 16 ends with a blazing inferno, you'll be wondering about the fate of Rev. Cloutier (Luke Perry) and anxious for the tumultuous events of season 5. (Commentary accompanies two episodes: Fontana and Moreno offer informative anecdotes on "You Bet Your Life," but the Fontana/Winters/Tergesen commentary on "Famous Last Words" is raucously undisciplined and for hardcore Oz fans only.)--Jeff Shannon
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product)
|
The main dynamic for the fourth season ends up being between Simon Adebisi (Adewale Akinnouye-Agbaje) and Kareem Said (Eamonn Walker). From the beginning of "Oz" it was Said who has been the voice of reason, and it was Abedisi who personified the impulse towards anarchy at the Oswald Correctional Facility. After Khan's death, and because of Said's visits from Tricia Ross, Zahir Arif (Granville Adams) moves to take over the leadership of the Muslims. While Said is cast adrift in the hierarchy of Emerald City, Adebisi achieves his objective and actually masterminds the removal of McManus as the administrator of Oz. Of course, Abedisi's success contains the seeds of his own destruction because that is the way things go in the merry old land of Oz. Meanwhile, Said finds out that Oz makes men do things they never thought they would do and changes them in ways they would not want to be changed.
For me, and I suspect many, Tobias Beecher (Lee Tergesen) is the inmate we most identify with on "Oz." Beecher is the "regular" guy who ends up in prison and is fresh meat for the inmates, and the fact that he has survived this far does not in any way, shape or form convince me that I would be able to do half as well. But Beecher has survived, and in this season his ongoing conflict with Vern Schillinger (J.K. Simmons) turns even deadlier than it has been to date. If there is an element of Greek tragedy in "Oz" it is this sick little dance between Beecher and Schillinger, with Chris Keller (Chris Meloni) as the wild card. But running a close second is the twisted relationship that has developed between Ryan O'Reilly (Dean Winters) and Dr. Gloria Nathan (Lauren Velez), which takes the "you always hurt the one you love" to some extremes.
Even our narrator, the one-man Greek chorus Augustus Hill (Harold Perrineau), starts to become involved in the madness. After ruining one inmate's chances of parole, Hill finds himself in the middle of the power struggle to control the Homeboys. This problems have me worried because for me it is not "Oz" if Augustus is not explaining to us the different types of shivs you can make in prison (and the fact Perrineau is now on "Lost" and without the dreadlocks worries me even more). But then if there is anything we have learned from "Oz," in addition to never wanting to end up in prison, it is that incarceration does not change people for the better. Just look at Bob Rebadow (George Morfogen), who tells us that not only does every dog have his day, but once he does he will want another one.
The problem with the fourth season of "Oz" is that the effort to keep things boiling over has some of the developments going over the top. The experimental again drug is certainly one example, but the O'Reilly/Nathan relationship also goes beyond belief as far as I am concerned. By the time the show is drawing inspiration from Edgar Allan Poe's "The Cask of Amontillado" I am thinking it is time to be cleaning house. I have trouble remembering exactly how Emerald City was to be an innovative solution to the problem of the modern American prison in the face of the orgy of violence and keep thinking Glenn and McManus need to just lock down the whole prison. Of course, that would kill the drama of the show if all we had were men looked into cells, and HBO has no vested interest in doing that. But "Oz" is not about the escelating number of dead inmates, or even of naked inmates, but rather the life and death struggles of the place. Along with "The West Wing," "Oz" represents "politics" at its "best."
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|
|