- Paperback: 168 pages
- Publisher: OUP Oxford (26 Nov 1998)
- Language English
- ISBN-10: 0198320043
- ISBN-13: 978-0198320043
- Product Dimensions: 22.1 x 17.5 x 0.9 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 436,921 in Books (See Top 100 in Books)
Richard II (The Pelican Shakespeare)
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Product Description
Amazon.co.uk Review
One of Shakespeare's finest history plays, Richard II deals with one of the most sensitive and politically explosive issues of its day--the rights and wrongs of deposing a legitimately appointed king. Forerunner to the two parts of Henry IV, the play deals with the abdication of King Richard II in 1399, the subsequent succession of Bolingbroke, the future King Henry IV, and Richard's death in the spring of 1400. But the play has been celebrated above and beyond its stature as historical drama. Richard II begins with a portrait of Richard as a pompous, arrogant and self-regarding sovereign, with little sense of his people or his political responsibilities. As he consistently miscalculates in his attempts to destroy Bolingbroke, and watches his own power wane, he becomes a far more appealing, Hamlet-like figure, more interested in "talk of graves, of worms and epitaphs", and "sad stories of the death of kings". Richard's speeches become increasingly lyrical and poetic as his supporters desert him, until he finally takes on the stature of the pilloried Christ in the climax of the play, the deposition scene, one of the most politically risky scenes in all of Shakespeare. The play remains most famous for John of Gaunt's "This royal throne of kings, this sceptred isle" speech, but historians believe that the play was also performed in the streets of London in 1601 in support of the Earl of Essex's attempt to depose Elizabeth I. Whilst the plot failed, it showed the power of the theatre of the time, and the politically controversial nature of Shakespeare's play. --Jerry Brotton
--This text refers to an out of print or unavailable edition of this title.
Review
"Cmbridge University Press has provided a very great service to the scholarly community with its series The Early Quartos produced in parallel with....this text is a valuable contribution to the study of this play and of the history of Shakespare's texts in general." Shakespare Bulletin
--This text refers to an out of print or unavailable edition of this title.
Inside This Book
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First Sentence
King Richard gives formal hearing to the quarrel between Bullingbrook and Mowbray. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
King Richard gives formal hearing to the quarrel between Bullingbrook and Mowbray. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback
In some respects I think it'd be rather presumptuous of me to attempt to review Shakespeare. Someone so well known and influential wouldn't benefit from my opinions on their work, plus there are more scholarly and concise reviews out there. But I can comment on these Arden versions. Of all the Shakespeare I've read I've always found the Arden copies to be well laid out and to have excellent commentary and notes on the text. They really add to your understanding of Shakespeares outstanding plays and introduce you to the depth in his work. They have superb paper quality and are bound well, withstanding repeated readings and intensive study. For your collection of Shakespeare you can't do much better than Arden publications, some are quite hard to get hold of but it's worth the effort.
Feel free to check out my blog which can be found on my profile page.
Feel free to check out my blog which can be found on my profile page.
7 of 10 people found the following review helpful
Format:Paperback
Richard II is one of the most cryptic plays I have ever read ... which is why I love it so much. A quick synopsis: the real-life struggle between the young King Richard II (R2) and his somewhat more popular cousin, Henry Bolingbroke (BB). Throughout the play, your sympathies tend to fluctuate with R2, but is BB all sweetness and light as well?
It's an enormous challenge to unlock all of Shakespeare's hidden messages in R2, but if you are willing to accept the challenge, it is incredibly rewarding for your exams. Most people I know are put off by the lack of action here, which is true, but in any case a comic book style exam answer isn't going to impress the examiner: a very detailed, thought-out and prudent response will, and R2 gives many easy opportunities for that. For once in my life, I didn't feel like doing a Blackadder and smacking the Bard in the face after reading this play!
And if you're still not impressed, just watch the BBC's version with Derek Jacobi as R2 in all his hamminess!!
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
18 reviews
15 of 18 people found the following review helpful
An unknown gem among Shakespeare's histories
26 Sep 1997
Format:Paperback
The thing with Shakespeare histories is that almost no one reads them, as opposed to his tragedies and comedies. I don't know why that is. The histories that are read are either Henry V (largely due to Branagh's movie), Richard III (because the hunchback king is so over-the-top evil), or the gargantuan trilogy of Henry VI, with the nearly saintly king (at least by Part III) who much prefers contemplating religion and ethics to ruling and dealing with the cabals among his nobles.
So why read a relatively obscure history about a relatively obscure king? Aside from the obvious (it's Shakespeare, stupid), it is a wonderful piece of writing - intense, lyrical, and subtle. Richard II is morally ambiguous, initially an arrogant, callous figure who heeds no warnings against his behavior. Of course, his behavior, which includes seizing the property of nobles without regard for their heirs, leads to his downfall. Nothing in his character or behavior inspires his subjects so he has no passionate defenders when one of the wronged heirs leads a rebellion to depose Richard II. But Richard now becomes a much more sympathetic figure -especially in the scene where he confronts the usurper, Richard acknowledges his mistakes, but eloquently wonders what happens when the wronged subjects can depose the leader when they are wronged. What then of the monarchy, what then of England?
On top of the profound political musings, you get some extraordinarily lyrical Shakespeare (and that is truly extraordinary). Most well known may be the description of England that was used in the airline commercial a few years back... "This royal throne of kings, this sceptred isle, ..."
If you like Shakespeare and haven't read this play, you've missed a gem.
10 of 13 people found the following review helpful
Richard II
4 Nov 2000
Format:Mass Market Paperback
Richard II was incompetent, wastefully extravagant, overtaxed his nobles and peasants, ignored his senior advisors, and lavished dukedoms on his favorites. His rival, Henry of Bolingbroke (later Henry IV), was popular with the common man and undeservingly suffered banishment and loss of all his property. And yet two centuries later Elizabethans viewed the overthrow of Richard II as fundamentally wrong and ultimately responsible for 100 years of crisis and civil war. Queen Elizabeth's government even censored Shakespeare's play.
Shakespeare masterfully manipulates our feelings and attitude toward Richard II and Bolingbroke. We initially watch Richard II try to reconcile differences between two apparently loyal subjects each challenging the other's loyalty to the king. He seemingly reluctantly approves a trial by combat. But a month later, only minutes before combat begins, he banishes both form England. We begin to question Richard's motivation.
Richard's subsequent behavior, especially his illegal seizure of Bolingbroke's land and title, persuades us that his overthrow is justified. But as King Richard's position declines, a more kingly, more contemplative ruler emerges. He faces overthrow and eventual death with dignity and courage. Meanwhile we see Bolingbroke, now Henry IV, beset with unease, uncertainty, and eventually guilt for his action.
Shakespeare also leaves us in in a state of uncertainty. What is the role of a subject? What are the limits of passive obedience? How do we reconcile the overthrow of an incompetent ruler with the divine right of kings? Will Henry IV, his children, or England itself suffer retribution?
Richard II has elements of a tragedy, but is fundamentally a historical play. I was late coming to Shakespeare's English histories and despite my familiarity with many of his works I found myself somewhat disoriented. I did not appreciate the complex relationships between the aristocratic families, nor what had happened before. Fortunately I was rescued by Peter Saccio, the author of "Shakespeare's English Kings". Saccio's delightful book explores how Shakespeare's imagination and actual history are intertwined.
I hope you enjoy Richard II as much as I have. It is the gateway to Henry IV (Parts 1 and 2) and Henry V, all exceptional plays.
1 of 1 people found the following review helpful
Playing with Power
7 Feb 2007
Format:Paperback
The first of the bard's great Henry tetrology does not have the power or greatness of the its titular character to the extent that the latter plays have, but it still contains some of Shakespeare's greatest soliloquies. Richard II orates famously:
Of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper, and with rainy eyes
Write sorrow on the bosom of the earth;
Let's choose executors and talk of wills:
And yet not so -- for what can we bequeath
Save our deposed bodies to the ground?
Our lands, our lives, and all are Bolingbroke's,
And nothing can we call our own but death,
And that small model of the barren earth
Which serves as paste and cover to our bones.
Richard the II is a tragedy about folly, about the farce of monarchical politics. It is clearly ahead of its time, though it falls short of the philosophical depth that Shakespeare would reach in such masterpieces as Hamlet and Macbeth. An indispensable part of the canon all the same.
Of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper, and with rainy eyes
Write sorrow on the bosom of the earth;
Let's choose executors and talk of wills:
And yet not so -- for what can we bequeath
Save our deposed bodies to the ground?
Our lands, our lives, and all are Bolingbroke's,
And nothing can we call our own but death,
And that small model of the barren earth
Which serves as paste and cover to our bones.
Richard the II is a tragedy about folly, about the farce of monarchical politics. It is clearly ahead of its time, though it falls short of the philosophical depth that Shakespeare would reach in such masterpieces as Hamlet and Macbeth. An indispensable part of the canon all the same.
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