7 of 7 people found the following review helpful:
3.0 out of 5 stars
Erudite but cautious, 3 Mar 2010
I view this dictionary as complementary to the Oxford Dictionary of Slang and to the Chambers Slang Dictionary. It is less comprehensive than these, but does give a useful background to the expressions that it contains. It is much more restrained than the Chambers and as with Chambers there is not any English to Slang index, a good point about the Oxford Dictionary of Slang. It is useful in giving an explanation of many common slang expressions, but the more curious minded or less prudish may well be disappointed.
The Oxford Dictionary of Modern Slang (Oxford Paperback Reference)
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5.0 out of 5 stars
Writing Character Dialogue Must Have!, 7 Feb 2012
There's no end to the `mind-blowing' power of Modern Slang. As a mouse is electronically wired to a laptop so too will this dictionary become an intravenous drip to a writer. Hey ho, writers and authors ...
When Modern Slang arrived at iHubbub HQ to be reviewed it should have duly been stacked at the bottom of my review pile, but something about the cover (maybe the wedge of cheese) made me flick through it before jamming it under at least 17 others.
And before I knew it, I was in writers' wonderland!
At first flicking through and then avidly fixated with each page. If dinner, partners, kids and life in general didn't get in the way, an aspiring writer, and indeed any well-tuned author, could get lost in this book only to reappear when they've chewed through every word.
Character Labels
Not only can you find modern ways with dialogue, but you can create sparkling `labels' for your characters. Have a good nose through the thematic section, it's like bottled inspiration!
Don't give a boring account of a man with no hair. Bald is out. Slaphead is in - especially if you want him to be a ruffian or dodgy character. For example, when describing your suspect ... let's call him Mike ... why write `Mike was bald' when you could scribe `a slaphead in a three piece suit'. Why give another character `big eyes' when they can have `lamps' ... or they may have `peepers' for that matter.
Your teens or young guns wouldn't say `this room stinks' more likely they would grunt out a `this joint is minging'. If you had to kill off a character for whatever reason why would they be `dead' when they could be `pushing up daisies'?
iHubbub Quote:
"Every writer should devour this dialogue treasure trove to ensure their characters' dialogue is packed with human oomph. A writer's addiction!" iHubbub
You can read the full review on iHubbub - this book is excellent for helping aspiring writers to create excellent and very human dialogue for their ficional characters!
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