*there's something female about being dead*: thus joyce carol oates in *blonde*. and if in search of an articulate explanation for this brilliant insight, elizabeth bronfen's book is what you're looking for. in a comprehensive survey of literary, cinematic and sociological archetypes, ranging from shelley's *frankenstein* to freud's clinical cases, bronfen analyses the trope of *dead* as *the Other* par excellence, and exposes western attempt to distance death and thereby elaborate it safely. theoretically premissed on lacan's neo-freudianism and feminist studies of representation (namely laura mulvey's), *over her dead body* somehow manages to steer clear of the obscurity of both, and remains interesting and eminently readable right to the last page.